藏娇记 Possessed (1931)

Name: 藏娇记 Possessed
Genre: 剧情, 爱情
Released: 1931-11-21
Duration: 1 h 16 min
Rating: 7.6
Cast: 克拉克·盖博 Clark Gable, 琼·克劳馥 Joan Crawford, 华莱士·福特 Wallace Ford, Richard 'Skeets' Gallagher Richard 'Skeets' Gallagher, Walter Walker Walter Walker

导演: 克拉伦斯·布朗
编剧: 埃德加·塞尔温 / 伦诺尔 J. 科菲
主演: 克拉克·盖博 / 琼·克劳馥 / 华莱士·福特 / Richard 'Skeets' Gallagher
类型: 剧情 / 爱情
制片国家/地区: 美国
语言: 英语 / 法语 / 德语
上映日期: 1931-11-21
片长: 76 分钟
又名: 狂魔 / 着魔 / 情迷意乱
IMDb: tt0022276

豆瓣评分

7.6

242人评价

5星

19.7%

4星

42.7%

3星

33.7%

2星

3.4%

1星

0.6%

想看看过

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藏娇记的剧情简介 · · · · · ·

　　Marian Martin (Crawford) is a factory girl living with her mother in a grimy railroad town. Factory boy Al Manning hopes to marry her, but Marian is determined to find a better life. When a train makes a stop in town, Marian looks through the windows and sees the wealthy passengers. She then makes the acquaintance of Wally Stuart, a New Yorker who gives her champagne and writes... (展开全部) 　　Marian Martin (Crawford) is a factory girl living with her mother in a grimy railroad town. Factory boy Al Manning hopes to marry her, but Marian is determined to find a better life. When a train makes a stop in town, Marian looks through the windows and sees the wealthy passengers. She then makes the acquaintance of Wally Stuart, a New Yorker who gives her champagne and writes down his address, telling her to look him up if she ever makes it to New York. Marian, now tipsy from the champagne, happily returns home. Giggling, she tells Al and her mother that she was drinking down by the railroad tracks.
　　Al, who was waiting for her and accuses her of being drunk, spots the piece of paper containing Wally's address in Marian's hand, grabs it from her, and tears it up. He then tells Marian that her actions are inappropriate and that she's staying with him. Marian lashes out, telling Al and her mother that no one owns her and that her life belongs to herself. She grabs the torn paper shreds up from the floor and pastes them back together, then leaves for New York City. There, she looks up Wally who gives her some advice on meeting and keeping wealthy men, which Marian uses to begin a relationship with his friend Mark Whitney (Gable), a divorced attorney.
　　She eventually becomes Mark's mistress and he provides her with a complete make-over, educating her in the arts and culture of his social set. Three years pass and the two entertain with brio and style. Marian and Mark fall in love.
　　When Mark decides to run for gubernatorial office, however, friends caution him that his relationship with Marian is a serious liability. To cover their relationship, she has changed her name to "Mrs. Moreland" and poses as a wealthy divorcee. Some time later, Al, now running a prosperous cement business, comes to the city hoping to land a big contract. He sees Marian and asks her to marry him, but she refuses. When she overhears Mark talking with some politicians, she realizes that he now plans to marry her, despite the fact that their relationship would cause a scandal. She pretends not to love Mark and says that she is going to marry Al instead.
　　A political rival soon leaks her true identity and Marian is forced to defend herself at one of Mark's election rallies. As the crowd rumbles, Marian steps up from the audience and tells them that Mark has always been an honorable man, who once belonged to her, but now belongs to them. The crowd cheers as she leaves, sobbing. Outside, Mark catches up to her and tells her that from now on they will be together no matter what. Mark legitimizes their relationship by proposing marriage.
　　Possessed is a Pre-Code 1931 drama film directed by Clarence Brown, starring Joan Crawford and Clark Gable, and released by Metro-Goldwyn-Mayer. The film is the story of Marian Martin, a factory worker who rises to the top as the mistress of a wealthy attorney. The screenplay by Lenore J. Coffee was adapted from the 1920 Broadway play The Mirage by Edgar Selwyn. Possessed was the third of eight movie collaborations between Crawford and Gable.

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我要写短评

藏娇记的短评 · · · · · · ( 全部 79 条 )

11 有用球球滚啊滚🌸 看过 2020-02-20 15:50:28

齐泽克：“女主角的内心世界被投射到这个场景中。结果，虽然故事中所有现实都在场（火车、女孩），但可以说她的知觉中，现实被抬升到一个神奇的水平，成了女主角放映梦想的屏幕，而这就是最纯粹的电影艺术。”一幕一幕车窗里的景观（外来景观/未来幻象）被安置在画框上方，在她眼前流过时，正是观影者看着银幕上的幻象——她的体验便是观影的体验。虽然观看主体的形象并未反映在车窗/镜子中，但她的内心世界（欲望、想象及自我幻... 齐泽克：“女主角的内心世界被投射到这个场景中。结果，虽然故事中所有现实都在场（火车、女孩），但可以说她的知觉中，现实被抬升到一个神奇的水平，成了女主角放映梦想的屏幕，而这就是最纯粹的电影艺术。”一幕一幕车窗里的景观（外来景观/未来幻象）被安置在画框上方，在她眼前流过时，正是观影者看着银幕上的幻象——她的体验便是观影的体验。虽然观看主体的形象并未反映在车窗/镜子中，但她的内心世界（欲望、想象及自我幻象）已然投射在上面，一种未来与可能的形象先行到场，作用于现实与当下——火车并没有立即地满足她的欲望，而是教导了她如何欲望，齐泽克认为电影也是这样 : 电影不会满足观众的欲望，而是教导观众如何去欲望，由这点我们可以看见人类的欲望全然是人工的。 (展开)

6 有用长袜子看过 2020-02-08 23:26:01

琼·克劳馥表现出色，剧本倒是虎头蛇尾了。前半段很多惊喜，既有女性觉醒又有阶级讽刺，尤其是另一个庸俗女孩出现的时候以为会在女主自我意识层面继续深入并引出对阶级鸿沟无法逾越的审视，结果后半段还是萎缩成“没有困难制造困难迎难而上”爱情片套路。全片看完居然印象最深的还是开篇不久的一个长镜头，铁路旁女主艳羡凝望一路前行的火车车厢众生相，之后更是引出了一句意味深长的台词“只有两种人，（车厢）里面的和外面的”。... 琼·克劳馥表现出色，剧本倒是虎头蛇尾了。前半段很多惊喜，既有女性觉醒又有阶级讽刺，尤其是另一个庸俗女孩出现的时候以为会在女主自我意识层面继续深入并引出对阶级鸿沟无法逾越的审视，结果后半段还是萎缩成“没有困难制造困难迎难而上”爱情片套路。全片看完居然印象最深的还是开篇不久的一个长镜头，铁路旁女主艳羡凝望一路前行的火车车厢众生相，之后更是引出了一句意味深长的台词“只有两种人，（车厢）里面的和外面的”。75 (展开)