天知道的影评 (13)
轻松打破观众对瘾君子的刻板单调印象
萨弗迪兄弟似乎摆脱了最初两部影片里的新浪潮影响:粗砺画面与晃动的摄影几乎消失,取而代之却是流畅的剪辑与声音技术,越来越有商业电影的味道。开头和结尾两场的耸动配乐最为明显,无对白的影像/画面具有先声夺人的力量,一种不安而可怖的气氛笼罩在这个边缘人故事的开端,而...
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addict of drugs
VENICE – The days of The Panic in Needle Park, to name one iconic New York City drug movie, seem long gone, now that most of Manhattan’s one-time junkie hangouts have been gentrified to within an inch of their lives. But in Heaven Knows What, Josh and Ben...
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drug story
Another film about junkies? That question almost inevitably follows one’s learning the subject of Josh and Benny Safdie’s New York-set drama “Heaven Knows What,” and its main implication is clear: heroin addiction is at once so limited and so overdone a...
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超现实的烟花只有一瞬间的浪漫
开篇便是逐渐紧张的电子鼓点,迷幻电音融入街头流浪的生活,是一种气氛,也是一种形象化的糜烂生活般的快感和虚无。 哈莉对伊利亚说“如果我死掉,你会原谅我吗?”她便去买了五毛钱的刀片准备割腕,她爱他,哪怕为他失去生命也愿意。当鲜血喷涌而出,伊利亚还是救了哈莉。他们...
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《天知道》,重新定义之后的真实感与代入感
Ruben Östlund携《自由广场》(The Square)摘得刚结束的第70届戛纳电影节主竞赛单元金棕榈奖。荧幕场刊给出了2.7的分数,低于排行第一的《无爱可诉》(Нелюбовь),最后突出重围的《你从未在此》(You Were Never Really Here),与Todd Haynes的《寂静中的惊奇》(Wonder...
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