凶线的影评 (28)
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一部邪恶优雅的交响乐
公众号里有最完整文章排版 人们常说,对他人的第一印象是3秒钟就决定了的。 看电影又何尝不是? 当花花绿绿的制片公司标识展示完成,你看到的第一个镜头就决定了你将对这部影片付出的耐心。 ◐ 播放《凶线》,你首先看到的是什么呢? 不,应该说你听到什么。 野兽叫声、心跳...
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[Film Review] Blow Out (1981)
Often addressed as a foley artist’s version of Michelangelo Antonioni’s BLOW-UP (1966), De Palma’s BLOW OUT is unqualifiedly lecherous in his straight-male’s exploitation of female bodies, but technically, it is a stunner, and among one of his most acco...
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德·帕尔马关于电影声音的迷思与实验之作
这篇影评可能有剧透
德·帕尔马一向被誉为是悬念大师希区柯克的“献媚者与模仿者”,相信这是毋庸置疑的,从他的很多作品中都能看出对大师的致敬之处,这部《凶线》自然也是逃不过观众的法眼,从一开始戏中戏片段里还原《惊魂记》里的浴室谋杀就能看出来。但与此同时,他对电影制作本身的深入思考... (展开)![](https://img3.doubanio.com/icon/u55289326-2.jpg)
I like the ending
This whole story is ridiculous, it's a kind of bullshit. There are so many things unreasonable. The biggest one is that dumb girl. If the bad guys wanna cover the whole thing, why do they let this girl walking around the whole city, just like nothing happen...
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《凶线》:从镜头语言浅析影片
该影片的叙事线索为两条线,一条是与主人公身份相关的尖叫声,另一条则是与凶杀案故事相关的钩子拉线声。这两条线索首尾呼应,在片中偶有穿插,使影片结构更紧凑,叙事条理清晰。 导演布莱恩·德·帕尔玛在该影片中镜头语言运用极为丰富,运镜长镜头居多,运动镜头在影片中处处...
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pauline-kael的评论
转载于: https://scrapsfromtheloft.com/2018/07/17/blow-out-pauline-kael/ At forty, Brian De Palma has more than twenty years of moviemaking behind him, and he has been growing better and better. Each time a new film of his opens, everything he has done befo...
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