http://nefdesfous.free.fr/ For more than 20 years, Olivier de Sagazan has developed a hybrid practice that integrates paint- ing, photography, sculpture, and performance. In his existential performative series Transfiguration, which he began in 2001, de Sagazan builds layers of clay and paint onto his own face and body to transform, disfigure and take apart his own figure, revealing an animalistic human who is seeking to break away from the physical world.
这是法国的行为艺术家。了解后面字幕中出现的人物的故事，才知道原来轮回的意味更深远！
http://nefdesfous.free.fr/ For more than 20 years, Olivier de Sagazan has developedhttp://nefdesfous.free.fr/ For more than 20 years, Olivier de Sagazan has developed a hybrid practice that integrates paint- ing, photography, sculpture, and performance. In his existential performative series Transfiguration, which he began in 2001, de Sagazan builds layers of clay and paint onto his own face and body to transform, disfigure and take apart his own figure, revealing an animalistic human who is seeking to break away from the physical world.
这是法国的行为艺术家。了解后面字幕中出现的人物的故事，才知道原来轮回的意味更深远！...Winniechichi
这一幕行为艺术真看不懂
可能是工作的太压抑了吧。
ls说笑了。人家本来就是玩行为艺术的
表现的的确是人性在“现代生活”中的压抑。 20年前的baraka也表现了这一主题 用的是日本无声尖叫舞跃
舞踏
这一段挺震撼的，一层层的面具，撕毁之后再戴一层
「内容不可见」
http://nefdesfous.fr
这是法国的行为艺术家。了解后面字幕中出现的人物的故事，才知道原来轮回的意味更深远！
震憾了。。。浅显点叫：2B。高深些叫：行为艺术。
挺喜欢这一段
最喜欢的片段
克苏鲁
法国艺术家Olivier de Sagazan 用泥巴 颜料 火焰 钢筋在身体上作画，释放潜意识里的野兽…
正解
「内容不可见」
最莫名其妙的一段，行为艺术降低了整片的质量
确实
和日本的克隆机器人安排在一起不是很懂
看哭了，真的很好
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> 我来回应