深锁春光一院愁的影评 (21)
叛卡门
《深锁春光一院愁》——不要因为不重要之事改变对重要事的态度
看五六十年代的美国故事就像看宣传画一样，色彩浓郁服装华丽，妆容上更是精致到近乎苛刻，混合着尚未湮灭的贵族气息和新生力量的朝气。在奥斯卡最佳影片里，从第24届《一个美国人在巴黎》到第41届《雾都孤儿》里的众多彩色影片中，大家似乎都在尽其所能的大胆用色，在歌舞片的...
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Ziggy
我们都知道爱情是童话，而生活只是生活。那么不妨活的自私一些。
这篇影评可能有剧透
真没想到我也有要写长评的一天，虽然单纯是因为短评字数放不下...... 电影用极具戏剧性的剧情为底，而如梦中童话一般的色调与分镜，随时压抑的你至死的派对，穿插的瓦尔登湖与社会学都使这部“肥皂剧”看起来不止止只是一部单纯的披着姐弟恋还有寡妇文学tag的cult文学。它对爱... (展开)
咖
All That Heaven Allows: An Articulate Screen by Laura Mulvey
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Douglas Sirk once said: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” When All That Heaven Allows was released by Universal Pic... (展开)
他他
[Film Review] All That Heaven Allows (1955) 8.4/10
An auteur maudit of his time, German émigré Douglas Sirk's renown has been considerably reappraised with much admiration for his trademark disposition of light and color, the swelling watchability sublimated from its saccharine source material, aka. the o...
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晒
喜欢视觉呈现，不喜欢故事
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A movie composed of a hackneyed story, a nice theme of love and values of life, and a series of beautifully rendered scenes. Several memorable lines: "security comes from inside himself,” “home is where you are,” “you are running away from something i... (展开)
