玩偶 Lalka (1968)

Name: 玩偶 Lalka
Genre: 剧情, 爱情
Duration: 1 h 18 min
Cast: 杰兹·卡玛斯 Jerzy Kamas, 玛乌戈热塔·布劳内克 Malgorzata Braunek, 布罗尼斯瓦夫·帕夫利克 Bronislaw Pawlik, Wlodzimierz Borunski Wlodzimierz Borunski, 玛尔塔·利平斯卡 Marta Lipinska

导演: Ryszard Ber
编剧: 博莱斯瓦夫·普鲁斯
主演: 杰兹·卡玛斯 / 玛乌戈热塔·布劳内克 / 布罗尼斯瓦夫·帕夫利克 / Wlodzimierz Borunski / 玛尔塔·利平斯卡 / 艾莉娜·雅诺夫斯卡 / Anna Milewska / 佐菲亚·姆罗佐夫斯卡 / Janusz Klosinski / Andrzej Zaorski / Stefan Friedmann / Wojciech Pokora / 泽兹斯拉乌·瓦尔德金 / Zofia Jaroszewska / Bogdan Baer / 芭芭拉·弗热辛斯卡 / 达努塔·沙弗拉尔斯卡 / 扬·切切尔斯基 / Mieczyslaw Czechowicz / 扬·恩格莱特 / 彼得·弗龙切夫斯基 / 埃米尔·卡尔维茨 / Jerzy Bonczak / 埃娃·津泰克 / 克日什托夫·利特温 / 克日什托夫·哈梅茨 / Józef Duriasz / Joanna Zólkowska / Józef Nalberczak / 罗曼·威廉密 / Piotr Skarga / Igor Smialowski / Czeslaw Wollejko / Lucyna Brusikiewicz / Malgorzata Niemen / Marian Laszewski / Zygmunt Apostol / Jerzy Turek / 耶日·罗加尔斯基 / Józef Lodynski / Edyta Harmoza / Andrzej Jurczak / Krystyna Kolodziejczyk
类型: 剧情 / 爱情
制片国家/地区: 波兰
语言: 波兰语
首播: 1968
集数: 9
单集片长: 78分钟
又名: The Doll
IMDb: tt0127384

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玩偶的分集短评 · · · · · ·

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玩偶的剧情简介 · · · · · ·

　　The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were P... (展开全部) 　　The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).
　　The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.
　　This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.
　　Plot:
　　As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.[3] The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(Wikipedia)