Takuya is a boy with a slight stutter. One day, during ice hockey practice, he falls in love with Sakura, a girl figure skater. He tries to talk to her, but he can’t get the words out. Sakura apparently likes her coach, Arakawa. Takuya stares at Sakura and Arakawa skating together. Arakawa senses Takuya’s feelings, when he sees Takuya imitating Sakura’s steps. The next day, he ...
(展开全部)
Takuya is a boy with a slight stutter. One day, during ice hockey practice, he falls in love with Sakura, a girl figure skater. He tries to talk to her, but he can’t get the words out. Sakura apparently likes her coach, Arakawa. Takuya stares at Sakura and Arakawa skating together. Arakawa senses Takuya’s feelings, when he sees Takuya imitating Sakura’s steps. The next day, he lends Takuya his skates, who replies, “Th-th-th… thank you.” From that day on, Arakawa enthusiastically teaches Takuya to figure skate. Arakawa suddenly suggests to Sakura to try partnering with Takuya. Sakura is initially not keen on the idea. However, seeing how serious they are about an upcoming badge test, Sakura gradually comes round to the idea.
The three of them go to a lake. On the frozen lake, Arakawa and Takuya skate and dance around jokingly. Sakura watches them with an unusual smile on her face. Then one day, Sakura spots Arakawa walking intimately with another man. She can’t stop staring at the scene from afar. On the day of the badge test, Sakura doesn't show up. “I g-guess she really d-didn’t want to do it in the f-f-f-first place.” Depressed, Takuya returns his skates. The spring has come. As Takuya makes his way home from middle school, Arakawa’s car pulls up. They go to the lake again, but the ice has melted and it’s now just a regular lake. Arakawa leaves Takuya and continues driving. He boards a ferry and leaves the city.
我的阳光的短评 · · · · · · ( 全部 48 条 )
5 有用 嘟嘟熊之父 看过 2024-05-20 17:23:25 法国
每一段关系的变动都赋予场所全新的面貌，直到人物与空间成为不可分割的整体，再唤醒观众相似的情感经验。剧作略显矫饰，“凝视”被赋予过重的意义，沉浸于情境而累积出的情感不免显得轻佻。试图制造一种得与失的心理落差，再掺杂社会议题，较不遮掩的创作动机。
0 有用 swy 看过 2024-05-21 07:10:08 英国
2024戛纳 第二十一部 // 本年度top3
1 有用 Orpheus+ 看过 2024-05-21 01:35:48 德国
6.5。往小了說，類似質感的日本電影要多少有多少；往大了說，寥寥數筆台詞形成的情節轉折和映射的日本社會保守氛圍遠高於《怪物》那個極端繁複的劇本。
7 有用 蓝詹 看过 2024-05-19 22:00:16 法国
除却它厌女恐同的落后内核，日本人本就爱以柔光童话来粉饰现实。这种手法被日本影视主流沿用至今，年轻电影人有没有感到一丝落后和懦弱的羞愧？还不如柔光到底，让Sakura和Takuya从训练场美到赛场、池松壮亮好人有好报，观众至少有完整童话可以看。粗暴的转折和不负责任的人物设计，带着一种逢迎现代潮流的心态，「你看我都提到他们了这还不行吗」。不行，观众不需要你们对付他们。《舞妓家的料理人》本就是不肯自我面... 除却它厌女恐同的落后内核，日本人本就爱以柔光童话来粉饰现实。这种手法被日本影视主流沿用至今，年轻电影人有没有感到一丝落后和懦弱的羞愧？还不如柔光到底，让Sakura和Takuya从训练场美到赛场、池松壮亮好人有好报，观众至少有完整童话可以看。粗暴的转折和不负责任的人物设计，带着一种逢迎现代潮流的心态，「你看我都提到他们了这还不行吗」。不行，观众不需要你们对付他们。《舞妓家的料理人》本就是不肯自我面对的窝囊文本，以后可得离是枝裕和的这些徒子徒孙远点儿。 (展开)
2 有用 Ada的B计划 看过 2024-05-19 10:24:07 广东
3.5，优缺点都和导演上一部作品无变化。