整理旧档案，并让老艺术家们开口说话，这永远都是危险的：在这过程中我们很可能会出现错误。但多米尼克奥维对杜拉斯非常熟悉，她知道怎样让人们听到今日的艺术家们的声音从大家闺秀到几个熟悉的原因，她知道如何去做，去布置，并加入今日演员们的声音，并将过去，现在的一切都坚持到最后。
Assembling archives, documents, getting ghosts to talk, is always dangerous: there is a risk of losing the living. But Dominique Auvray , who was known to the great lady in more than one way (besides being her script girl and editor, she also di...
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整理旧档案，并让老艺术家们开口说话，这永远都是危险的：在这过程中我们很可能会出现错误。但多米尼克奥维对杜拉斯非常熟悉，她知道怎样让人们听到今日的艺术家们的声音从大家闺秀到几个熟悉的原因，她知道如何去做，去布置，并加入今日演员们的声音，并将过去，现在的一切都坚持到最后。
Assembling archives, documents, getting ghosts to talk, is always dangerous: there is a risk of losing the living. But Dominique Auvray , who was known to the great lady in more than one way (besides being her script girl and editor, she also directed a beautiful film portrait of M.D.), knows what to do when it comes to arranging and adding today’s actors’ voices, and inviting them all (past, present, lasting insistences) to twirl, along with us, in the dance.
杜拉斯与电影的短评 · · · · · · ( 全部 4 条 )
0 有用 julie 看过 2015-11-15 23:50:53
大概杜拉斯的电影没看影响理解了，看的蛮昏昏欲睡，法语的旁白几个男音女音倒是蛮好听。大意是杜拉斯用电影逃避写作，最后又厌倦电影之类的
0 有用 Cracker Jacquie 看过 2024-04-21 04:07:08 加拿大
with Dominique Auvray
0 有用 DRusL 看过 2024-04-22 12:52:12 加拿大
@ TIFF Lightbox
0 有用 VicWallflower 看过 2024-04-21 23:02:51 加拿大
对于了解Duras作为filmmaker来说很重要的纪录片，让演员来朗读不同人物的remark或许不新鲜，剪辑师出身的Dominique Aubrey对于主题内容的节奏处理却十分老道。本片的门槛在于需要对Duras的body of work已经比较了解。