情感的力量 Die Macht der Gefühle (1983)

Name: 情感的力量 Die Macht der Gefühle
Genre: 纪录片
Released: 1983-09-06
Duration: 1 h 55 min
Rating: 7.5
Cast: Ruth Wohlschlegel Ruth Wohlschlegel, Anja Silja Anja Silja, Daniel Lüönd Daniel Lüönd, 保卢斯·曼克 Paulus Manker, Dunja Vejzovic Dunja Vejzovic

导演: Alexander Kluge
编剧: 亚历山大·克鲁格
主演: Hannelore Hoger / Alexandra Kluge / Edgar M. Böhlke
类型: 纪录片
制片国家/地区: 西德
语言: 德语
上映日期: 1983-09-06
片长: USA: 115 分钟
又名: The Power of Emotion
IMDb: tt0085882

豆瓣评分

7.5

78人评价

5星

17.3%

4星

46.2%

3星

34.6%

2星

0.0%

1星

1.9%

想看看过

评价:

情感的力量的剧情简介 · · · · · ·

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead bac... (展开全部) 　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

情感的力量的获奖情况 · · · · · · ( 全部 )

第40届威尼斯电影节
主竞赛单元金狮奖 (提名)
亚历山大·克鲁格

第40届威尼斯电影节
费比西奖（国际影评人联盟奖）最佳影片
亚历山大·克鲁格

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情感的力量的短评 · · · · · · ( 全部 22 条 )

3 有用切看过 2011-03-19 21:41:29

看完都没记住哪个是主角....尼采为什么不信社会学，因为他不认为社会是个有机体....本片差不多也是这样，不断的闪回和跳越，时间并没有把人带向未来和文明，而是跌宕摇摆，生生死死

0 有用浴神看过 2011-05-19 21:10:35

情感也是一种权力，从某种意义上来说，这不是一部电影，而是利用电影在解释电影，是一种自我定义。这个片太形而上了。字幕不给力啊。8.3/10.

0 有用小易甫看过 2013-04-17 21:48:07

这一次主题定得太宽泛，以至于什么素材都可以拿来服务，因此让影片整体不够紧凑。

0 有用 brennteiskalt 看过 2019-09-07 21:48:21

克鲁格的电影真是不好懂，他与戈达尔的区别在于，狗达在用碎片化和混杂的手法来游戏式地反思电影媒介，而克鲁格则带着德国人的严肃劲儿努力想要探讨一个话题。遗憾的是，尽管他在形式上造出了一座艰难高深的巴比伦之塔，它的核心思想还是很平庸的：纯粹的情感具有摧毁性、复杂的情感方有创造性，甚至可以起死回生。这样的论点还是放在书里比较好，他后来两千页的巨著大概要探讨的深刻得多。在电影媒介里，这种零乱的剪辑反倒把观众... 克鲁格的电影真是不好懂，他与戈达尔的区别在于，狗达在用碎片化和混杂的手法来游戏式地反思电影媒介，而克鲁格则带着德国人的严肃劲儿努力想要探讨一个话题。遗憾的是，尽管他在形式上造出了一座艰难高深的巴比伦之塔，它的核心思想还是很平庸的：纯粹的情感具有摧毁性、复杂的情感方有创造性，甚至可以起死回生。这样的论点还是放在书里比较好，他后来两千页的巨著大概要探讨的深刻得多。在电影媒介里，这种零乱的剪辑反倒把观众的视点都搞乱了。失去位置乃至失去共情机会的观众大概早就停止关心了吧？ (展开)

0 有用戈尔贡佐拉看过 2022-12-10 10:11:41 河南

忍不了了的人会忍受更长的时间 Thomas Mauch摄影别太美真好看真好看

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有源	来自套马的汉子		2022-08-08 14:33:25

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情感的力量 Die Macht der Gefühle (1983)

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