神圣的仪式 Le Grand cérémonial (1969)

导演: Pierre-Alain Jolivet
编剧: 费尔南多·阿拉巴尔
主演: Fernando Arrabal
类型: 剧情
制片国家/地区: 法国
语言: 法语
上映日期: 1969-10-06
片长: 105 分钟
IMDb: tt0063029

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神圣的仪式的剧情简介 · · · · · ·

　　Fernando Arrabal编剧和主演的超现实电影。
　　Casanova lives in the suburbs with his mother. He has grown up without ever ceasing to be a child over whom she watches jealously. He is nothing without her, yet he dreams of leaving home and meeting women. They loathe and adore each other. Every day he goes to the Gare Saint-Lazare, often taking with him a wicker trunk containing a rubber dummy whi... (展开全部) 　　Fernando Arrabal编剧和主演的超现实电影。
　　Casanova lives in the suburbs with his mother. He has grown up without ever ceasing to be a child over whom she watches jealously. He is nothing without her, yet he dreams of leaving home and meeting women. They loathe and adore each other. Every day he goes to the Gare Saint-Lazare, often taking with him a wicker trunk containing a rubber dummy which he sends off to some distant country. In this way he sends the doll on the journey he dreams of making himself. One day a coincidence brings him into contact with a woman. A thief is being chased, and a woman speaks to him. A street photographer takes their picture. They part, but Casanova is happy, and in the evening when his mother clearly senses that something has happened to him he shows her the ticket for the photo, just to taunt her: yes, he knows a woman. Her name is Syl. What he does not know is that Syl too has been waiting for him. She has a rich lover, but she does not love him and she dreams of something more exciting, just as Casanova does. Behind his shyness and aggressiveness she senses a disturbing quality in the young man which attracts her. If he is a dangerous sadist, even a potential murderer, so much the better. She follows him into a shop basement to give herself to him, and there, amid a mass of flowers, a savage struggle takes place; they seize each other, then reject each other, fight furiously... The mother has com to Paris in search of the photograph. When she sees her son with a woman she cannot contain her fury and she goes to the police and accuses him of killing women and putting their bodies in trunks. She gives details. The police promise to make inquiries. Syl follows Casanova back to his suburb. He wants to flee, but she pursues him, and they meet at a garbage dump near a motorway. She crawls to his feet, he goes to push her away but then undresses her. She has to submit completely to him, to accept everything he does to her; she is forced to cross the motorway naked, as the cars pile into each other. He throws her down in the mud, covers her unconscious body with her clothes and goes back to his mother and his childhood home. He returns to his attic full of dolls. His mother is waiting for him, full of love and hatred, but he has nothing to say to her; he is waiting for Syl. One of the dummies looks like her, and in a bust of schizophrenic frenzy he possesses and then smashes it. At last when Syl returns, they are bound together in the Great Ceremony. The room becomes a place of magic, the cupboards open to reveal every instrument of love and torture... Outside the door, the mother screams in terror. After burning the dolls, Casanova drags Syl out to the car. They are going away for ever. ... At an abandoned farm, a happy Syl is busy putting life back into the ruins. She is teaching Casanova how to be gentle, and how to be strong. She is teaching him to be happy.
　　Based on love, violence, and eroticism taken at their most horrifying extremes, the theater of Arrabal is a permanent demonstration of the state of our inner minds with their tangle of sadism, masochism, frustration and repressed hatred.

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神圣的仪式的短评 · · · · · · ( 全部 8 条 )

0 有用叡山正宗看过 2024-07-11 23:10:21 福建

與寺山修司80年代幾部影片的「母題」一致，庶可目為《草迷宮》與《死者田園祭》的先聲。相較寺山影片中後現代戲劇般對主觀性時間的挑釁與破除，本片在敘事上頗為傳統——但只是在影片後段插入了如引線一般的紀錄片形式的街頭紀實影像，以暗示(社會性的)入門禮之行將揭幕。因此，片中主角的虐殺慾、縱火慾都難免過於淺白——這正是入門禮被一次次殘忍打斷後的病態反應。 PS：女主角乳房如少女一般小巧，甫出現便以象徵赫密士... 與寺山修司80年代幾部影片的「母題」一致，庶可目為《草迷宮》與《死者田園祭》的先聲。相較寺山影片中後現代戲劇般對主觀性時間的挑釁與破除，本片在敘事上頗為傳統——但只是在影片後段插入了如引線一般的紀錄片形式的街頭紀實影像，以暗示(社會性的)入門禮之行將揭幕。因此，片中主角的虐殺慾、縱火慾都難免過於淺白——這正是入門禮被一次次殘忍打斷後的病態反應。 PS：女主角乳房如少女一般小巧，甫出現便以象徵赫密士的「盜賊」形象介入男主角的生活並最終以閾限神——少女——之身份引領後者踏出界限，這一設定極為精彩。 (展开)

2 有用白霖笙看过 2020-09-16 16:06:35

法国60年代末超现实影片，费尔南多主演和编剧的，费大佬当演员时就这么前卫了，到底是什么原因让西方在六十七十年代出了这么多的前卫艺术家。用前卫超现实的手法来演了畸形的母爱，这种可怕的爱让男主差点失去了爱的能力，所以遇到女主时不知道怎么去感受，所以产生了各种怪诞的行为！好在结局找回来了爱的能力。配乐牛，68年就已经这么迷幻的音乐了，好几个段落的配乐都使用了重型迷幻摇滚

2 有用敲你两棒棒看过 2014-03-13 00:54:15

老一辈艺术家在那个年代能干出这么惊世骇俗的事，这得多打现在那帮导演的脸呐

0 有用欢乐分裂看过 2011-07-08 22:06:26

死亡，性虐，恋母弑母，强权

0 有用戈尔贡佐拉看过 2021-04-16 18:16:02

额

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神圣的仪式的影评 · · · · · · ( 全部 1 条 )

make evolutionary sense

My point was that there are two ways of looking at natural selection, the gene's angle and that of the individual. If properly understood they are equivalent; two views of the same truth. You can flip from one to the other and it will still be the same neo-... (展开)