盲目的丈夫们 Blind Husbands (1919)

Name: 盲目的丈夫们 Blind Husbands
Genre: 剧情, 爱情
Released: 1919-12-07
Duration: 1 h 39 min
Rating: 7.8
Cast: 萨姆·德·格拉斯 Sam De Grasse, 埃里克·冯·施特罗海姆 Erich von Stroheim

导演: 埃里克·冯·施特罗海姆
编剧: 埃里克·冯·施特罗海姆
主演: 萨姆·德·格拉斯 / Francelia Billington / 埃里克·冯·施特罗海姆 / Fay Holderness / Richard Cumming
类型: 剧情 / 爱情
制片国家/地区: 美国
语言: 英语
上映日期: 1919-12-07(美国)
片长: 99分钟
IMDb: tt0009937

豆瓣评分

7.8

152人评价

5星

35.6%

4星

25.6%

3星

35.6%

2星

1.1%

1星

2.2%

想看看过

评价:

盲目的丈夫们的剧情简介 · · · · · ·

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a neglig... (展开全部) 　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

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我要写短评

盲目的丈夫们的短评 · · · · · · ( 全部 28 条 )

0 有用 bardoffen 看过 2024-03-23 22:03:01 北京

"In the Alps there is no sin." 很可惜，片子的基调还是there is great sin. Stroheim扮演的角色真有意思，他像是一个穿着军装的coser（尤其和后面出现的真正军人气质对比），让我想到一个日本电影的名字：sex hunter（性狩人）——他和“盲目的丈夫”有何区别呢，丈夫将病人与山岳视作pinnacle、Stroheim将Wine, Woman ... "In the Alps there is no sin." 很可惜，片子的基调还是there is great sin. Stroheim扮演的角色真有意思，他像是一个穿着军装的coser（尤其和后面出现的真正军人气质对比），让我想到一个日本电影的名字：sex hunter（性狩人）——他和“盲目的丈夫”有何区别呢，丈夫将病人与山岳视作pinnacle、Stroheim将Wine, Woman and Song视作pinnacle。他甚至比丈夫还更有人味一些（那位hairy guy阿尔卑斯之子太讨厌了XD），但他扮演的这个角色，正是他想通过电影来猎的巫，所以the festival of the transfiguration的部分给我一种要烧掉“女巫”的前兆气氛。女主角非常阮玲玉。在这位丈夫和coser之间，隐约散发出了纳粹的味道。配乐也很Stroheim。 (展开)

0 有用 L 看过 2012-09-10 18:24:52

牛大了

0 有用 Virgil 看过 2025-01-03 22:19:25 广东

原来原本标题叫《顶峰》，被studio强行改成了现在这个傻瓜标题……差别很大。99mins奥地利版，短于美国首映版长度但比后来的美国版本都长。看前：怎么军装/toxic角色这么多，算了先试试。看完：说实话没觉得有多批判negligent丈夫。道德感除了主人公自己挣扎一下主要靠那个卫士般的胡子哥强行扮上帝维持。Stroheim热衷演这种（这次是假的）贵族军官角色绝壁恶趣味，不过还蛮好玩的：沟女说辞对... 原来原本标题叫《顶峰》，被studio强行改成了现在这个傻瓜标题……差别很大。99mins奥地利版，短于美国首映版长度但比后来的美国版本都长。看前：怎么军装/toxic角色这么多，算了先试试。看完：说实话没觉得有多批判negligent丈夫。道德感除了主人公自己挣扎一下主要靠那个卫士般的胡子哥强行扮上帝维持。Stroheim热衷演这种（这次是假的）贵族军官角色绝壁恶趣味，不过还蛮好玩的：沟女说辞对谁都一毛一样，半夜私会前仔细梳妆打扮那个热腾劲儿给我笑坏了……全程都在脑补此人被doctor和胡子哥2V1，于是后面私会受挫送回房和菜鸡登山掐脖子两场戏简直太好笑了并有一丝蜜汁贴合脑洞的带感（……）有场戏下巴特别白，正好是《大幻影》里戴的那个颈托？的形状，有点好奇咋弄出来的…… (展开)