女巫 Le streghe (1967)

导演: 莫洛·鲍罗尼尼 / 维托里奥·德西卡 / 皮埃尔·保罗·帕索里尼 / 佛朗哥·罗西 / 卢基诺·维斯康蒂
编剧: 朱塞佩·帕特罗尼·格里菲 / 切萨雷·扎瓦蒂尼 / 阿杰诺雷·因克罗奇 / 富里奥·斯卡佩利 / 贝纳迪诺·扎波尼 / 皮埃尔·保罗·帕索里尼 / 法比奥·卡尔皮 / Enzo Muzii
主演: 西尔瓦娜·曼加诺 / 安妮·吉拉尔多 / 弗朗西斯科·拉瓦尔 / 马西莫·吉洛蒂 / 维罗尼卡·旺代勒 / 埃尔莎·阿尔巴尼 / 克拉拉·卡拉马伊 / 玛丽卢·托洛 / 诺拉·里奇 / 迪诺·梅莱 / 赫尔穆特·贝格 / 布鲁诺·菲利皮尼 / 莱斯利·弗伦奇 / 阿尔贝托·索尔迪 / 托托 / 尼内托·达沃利 / 劳拉·贝蒂 / 克林特·伊斯特伍德 / 瓦伦蒂诺·马奇 / Pietro Torrisi / 马里奥·西普利亚尼 / 彼得罗·托尔迪
类型: 剧情 / 喜剧 / 爱情
制片国家/地区: 意大利 / 法国
语言: 意大利语 / 英语
上映日期: 1967-02-22(意大利)
片长: 111分钟
又名: The Witches
IMDb: tt0061037

豆瓣评分

7.4

648人评价

5星

21.1%

4星

34.8%

3星

38.2%

2星

4.6%

1星

1.3%

想看看过

评价:

女巫的剧情简介 · · · · · ·

　　"The Witch Burnt Alive"
　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have pre... (展开全部) 　　"The Witch Burnt Alive"
　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
　　"Community Spirit"
　　Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
　　"The Earth Seen from the Moon"
　　The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
　　"The Sicilian"
　　Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
　　"A Night Like Any Other"
　　Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

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: 七段情 7.3

: 墨西哥巴士奇遇 6.1

: 101夜 7.8

: 怀孕的男人 7.0

: 繁荣 7.5

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女巫的短评 · · · · · · ( 全部 199 条 )

6 有用 TARDELLINO 看过 2015-04-14 21:45:54

似乎就是德劳伦蒂斯有钱任性，给Mangano女神搞的系列短片。从这个意义上说还是Visconti和De Sica比较良心，Pasolini那一段，估计德劳伦蒂斯很想找他退钱。（但也是我唯一喜欢的一段了

9 有用赱馬觀♣ 看过 2020-04-08 13:07:42

第一段维斯康蒂的火烧女巫，近四十分钟篇幅算大部头，嘲讽了明星虚荣，颇似甲方乙方里徐帆那段；第二段社区精神，黑色反转。只有五六分钟，比当年宝马系列广告还短，倒也匹配鲍罗尼尼的名气地位；第三段帕索里尼从月亮看地球，喜剧国宝托托太老，搞笑力不从心；唯一女主也找不到情绪点，“死了与活了没啥两样”。第四段西西里人，再次证明此片对冯小刚贺岁喜剧的影响：“打死我也不说”，全说了真打死！最有一段德西卡那夜如昨，曼... 第一段维斯康蒂的火烧女巫，近四十分钟篇幅算大部头，嘲讽了明星虚荣，颇似甲方乙方里徐帆那段；第二段社区精神，黑色反转。只有五六分钟，比当年宝马系列广告还短，倒也匹配鲍罗尼尼的名气地位；第三段帕索里尼从月亮看地球，喜剧国宝托托太老，搞笑力不从心；唯一女主也找不到情绪点，“死了与活了没啥两样”。第四段西西里人，再次证明此片对冯小刚贺岁喜剧的影响：“打死我也不说”，全说了真打死！最有一段德西卡那夜如昨，曼加诺此次装扮酷似英格丽褒曼，而对手戏的东木确实不太适合出演西部以外的意大利电影。三星半 (展开)

1 有用 ferretandfox 看过 2023-07-12 18:05:13 湖南

4/4/5/4/5原来Pasolini比Wes Anderson还先发明Wes Anderson；Pietro Germi附身Franco Rosi；我对1960s电影的女权主义性持怀疑态度，但这一定是反男权片；此片大概是我最喜欢的omnibus film。

4 有用小易甫看过 2015-09-01 10:40:31

意大利名导的五短片合集，均由肖瓦娜•曼加诺担任女主角，质量不齐。德•西卡的浪漫喜剧以令人满意的视觉方式处理现实与幻想元素，并赋予闪回超现实感；帕索里尼以堂吉诃德的手法、通过怪异的表演和服装打造一出荒诞寓言；维斯康蒂则借明星及其身旁一群嫉妒和艳羡男女的爱恨关系讨论了美的市场化。

5 有用 Dark Opulence 看过 2018-06-20 00:12:18

啧啧啧，万没想到还能得见Eastwood这斯文败类又酸腐小男人的模样，毕竟他各年龄段一连串“独行侠/铁汉”看下来我的心都麻木了。从前我不信“老美审美土”的邪，如今只想说，以东木这精致型的漂亮皮相和身段儿，你们那么多年居然只想看他狮子头大胡子扮西部糙汉冷硬警探？暴殄天物可过分了点儿啊

> 更多短评 199条

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女巫的影评 · · · · · · ( 全部 5 条 )

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五行缺水 2020-03-24 23:49:03

《女巫》：我只是一个“她”

原文地址： http://www.qh505.com/blog/post/5743.html 她是母亲，她是妻子，她是女儿，当第三人称的“她”涵盖了女人可能的身份，却永远不是可以被称为“我”的那个女人：她是“活活烧死的女巫”，她是具有“公民意识”的女人，她是“死了和活着一样”的聋哑人，她是“西西里... (展开)