浅浅溯源电影改编的真实故事及一点点个人观感
专门去找了一下true story,但没找到直接来源(案件),只找到几篇关于电影的报道——
“Said to be based on a true story it is said the young homosexual lover did eventually confess, was found guilty, and is currently still serving a prison sentence.”
“Àdàm maintains he is convinced of Aron's guilt because of the opinions of forensic psychiatrists (who also decided Aaron was sane at the time of the killing as well), despite there being no hard evidence. “导演认为是Aron所为。虽然Aron认罪,但原文后面猜测Aron受当局压力招供。
The actual murder was much more brutal than in the film. The victim is hacked to pieces with an axe and burnt in his house.”最后一句话是“受害者被人用斧头分尸,连同屋子一起被烧毁灭迹。”
(原文:https://www.facebook.com/landofstorms/posts/671325322989509)
另外,为什么说”The actual murder was much more brutal than in the film.“,导演并没有刻意渲染血型案件的原因——
"If I told the real story...then the motive of the murder would be jealousy and not this homophobia in society," Csaszi told an audience at the film's Berlin premiere on Saturday.
He said he wanted to show that the local man growing up in a deeply religious rural environment, finding that he is attracted to men, "has no set of tools on how to deal with this homophobia and this is actually the motive of the murder".
他想要的是一种偏远乡村恐同氛围酿成悲剧的效果。
(原文:http://mobile.reuters.com/article/idUSL5N0LG3UE20140212)
抛开真实案件,和很多艺术电影一样,本片并不适合惯于快节奏片、寻求刺激的观众。
电影很多时候台词寥寥,片首的几个远景托出主角的孤单,一种偏远山村美丽风景下的压抑之感油然而生。致使本人观看时不得不快进,以避免莫名而生的胸闷心悸。
主人公在两个暧昧伴侣之间徘徊不定,就像之前对待为了父亲而进足球队这个自我人生抉择一样犹豫不决,生活越来越直旋而下,于是他选择回到乡村,在这里邂逅Aron。
但在美丽田野风光下,艰难生活、封闭思想、冷热暴力冲击着主角们,一触即发的激情给了他们(Szabolcs和Aron)一时脱离现实的快感。
Bernard出现,S却轻易忘记与Aron的诺言,没有直接拒绝B,甚至一度想回避B的逼问,维持这种三人关系。然而这并不是数学上稳固的三角形,在压抑与对峙气氛下,B退出,A不堪生活重负,选择”了结“带给他各种不幸的根源。然而,这些痛苦真的是S带来的?还是S的到来只不过是捅破这层遮掩的窗纸?这不仅仅是LGBT人士需要思考的。
“Said to be based on a true story it is said the young homosexual lover did eventually confess, was found guilty, and is currently still serving a prison sentence.”
“Àdàm maintains he is convinced of Aron's guilt because of the opinions of forensic psychiatrists (who also decided Aaron was sane at the time of the killing as well), despite there being no hard evidence. “导演认为是Aron所为。虽然Aron认罪,但原文后面猜测Aron受当局压力招供。
The actual murder was much more brutal than in the film. The victim is hacked to pieces with an axe and burnt in his house.”最后一句话是“受害者被人用斧头分尸,连同屋子一起被烧毁灭迹。”
(原文:https://www.facebook.com/landofstorms/posts/671325322989509)
另外,为什么说”The actual murder was much more brutal than in the film.“,导演并没有刻意渲染血型案件的原因——
"If I told the real story...then the motive of the murder would be jealousy and not this homophobia in society," Csaszi told an audience at the film's Berlin premiere on Saturday.
He said he wanted to show that the local man growing up in a deeply religious rural environment, finding that he is attracted to men, "has no set of tools on how to deal with this homophobia and this is actually the motive of the murder".
他想要的是一种偏远乡村恐同氛围酿成悲剧的效果。
(原文:http://mobile.reuters.com/article/idUSL5N0LG3UE20140212)
抛开真实案件,和很多艺术电影一样,本片并不适合惯于快节奏片、寻求刺激的观众。
电影很多时候台词寥寥,片首的几个远景托出主角的孤单,一种偏远山村美丽风景下的压抑之感油然而生。致使本人观看时不得不快进,以避免莫名而生的胸闷心悸。
主人公在两个暧昧伴侣之间徘徊不定,就像之前对待为了父亲而进足球队这个自我人生抉择一样犹豫不决,生活越来越直旋而下,于是他选择回到乡村,在这里邂逅Aron。
但在美丽田野风光下,艰难生活、封闭思想、冷热暴力冲击着主角们,一触即发的激情给了他们(Szabolcs和Aron)一时脱离现实的快感。
Bernard出现,S却轻易忘记与Aron的诺言,没有直接拒绝B,甚至一度想回避B的逼问,维持这种三人关系。然而这并不是数学上稳固的三角形,在压抑与对峙气氛下,B退出,A不堪生活重负,选择”了结“带给他各种不幸的根源。然而,这些痛苦真的是S带来的?还是S的到来只不过是捅破这层遮掩的窗纸?这不仅仅是LGBT人士需要思考的。
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