转自EW的影评
这篇影评可能有剧透
Disney的电影总是能激起我的共鸣，有时还惊奇于他们与中国文化的相通性。我承认我比较感性，看些东西的critical thingking还远远不够。但下面这段影评个人觉得很有独到性，也算一家之言吧。可以给我们这些头脑经常发热的人给以清醒剂，多角度来看一部影片。但不管怎么说，本人对camp rock里的音乐还是超喜爱的，胜过喜爱high school musical。
“Lying about who you are and refusing to let your awesomeness shine are big Disney no-no's. (Big ironic Disney no-no's, considering Hannah Montana is about a girl who lies about her superstar alter ego, pretending instead to be average.) The likable High School Musical was all about Troy and Gabriella's brave decisions — seriously, they did seem brave — to be true to themselves, ignore their respective cliques, and sing. The strange and objectionable thing about Camp Rock's morality tale is that no one makes an outright decision to be brave, to be better. Mitchie admits her mom is the cook only because she's cornered, and Mean Girl gets sweeter only because she flubs her big routine. Humiliation shouldn't be the motivating factor for self-improvement, but the script takes myriad such shortcuts: Shane proves he's not a jerk because he helps a clumsy drummer dance. Mitchie and Shane launch a romance in which neither says anything charming but they both laugh like they did (though Joe Jonas admittedly gives Zac Efron a run in the chaste-soulful-stare department). Certainly, these Disney concoctions tend to be broad-stroked — they're a lively bridge between cartoons and Gossip Girl. But Camp Rock is so rigidly formulaic, so unremarkable, that by the time the cast sings its finale, ''We Rock,'' it's hard to agree. C”
——By Gillian Flynn
“Lying about who you are and refusing to let your awesomeness shine are big Disney no-no's. (Big ironic Disney no-no's, considering Hannah Montana is about a girl who lies about her superstar alter ego, pretending instead to be average.) The likable High School Musical was all about Troy and Gabriella's brave decisions — seriously, they did seem brave — to be true to themselves, ignore their respective cliques, and sing. The strange and objectionable thing about Camp Rock's morality tale is that no one makes an outright decision to be brave, to be better. Mitchie admits her mom is the cook only because she's cornered, and Mean Girl gets sweeter only because she flubs her big routine. Humiliation shouldn't be the motivating factor for self-improvement, but the script takes myriad such shortcuts: Shane proves he's not a jerk because he helps a clumsy drummer dance. Mitchie and Shane launch a romance in which neither says anything charming but they both laugh like they did (though Joe Jonas admittedly gives Zac Efron a run in the chaste-soulful-stare department). Certainly, these Disney concoctions tend to be broad-stroked — they're a lively bridge between cartoons and Gossip Girl. But Camp Rock is so rigidly formulaic, so unremarkable, that by the time the cast sings its finale, ''We Rock,'' it's hard to agree. C”
——By Gillian Flynn
