想听故事么？那么看这个吧。
这篇影评可能有剧透
周末颇看了些好电影，Sex and Lucia(Lucia y el Sexo)是其中一个。
我对于好电影的标准特别宽泛，只要画面唯美，音乐动人，情节紧张曲折，结尾出乎意料，我就觉得是一部好电影，无他，给我带来两个小时的愉悦，这不就是一部好电影么？
露西亚的情人就是这样一部好电影，整整两个小时，呼吸一直随着情节跌宕起伏，每个转折我都尝试猜测结果，每次都猜错。直到最后，结果出来，不那么阴郁的结果，留给看的人一丝阳光。
以下内容是剧情介绍，如果准备自己看的就请跳过，以免破坏新奇感：
The story has two main threads, one taking place in the present, and one taking place six years earlier leading up to the present. What is clear is that Lorenzo (Tristan Ulloa, Don't Cry Germaine) is famous author with writer's block. Years ago, he had a one-night stand with Elena (Najwa Nimri, Before Night Falls, Open Your Eyes). She had a daughter, but he doesn't know this.
In the present, Lorenzo's relationship with Lucia (Vega, Nobody Knows Anybody, I Will Survive) is just over. Lucia cannot stand Lorenzo anymore, and he now realizes how much he needs her. After a phone call from the police, Lucia believes Lorenzo is dead and goes to the island that inspired Lorenzo's writing to search for some sort of catharsis. There, she rents a room in a boarding house and spends the day traveling around the island. Medem then flashes back and shows the how Lucia and Lorenzo got together. Lucia was a huge fan of Lorenzo's first book, and she essentially threw herself at him. Their initial relationship consisted mostly of sex, which Medem filmed in unnecessarily graphic detail, as is the style in Europe these days. This can show any number of things; how tenuous their relationship is, how strong their relationship can be based on so little, or how spontaneous and free Lucia is. Their relationship begins to crumble as Lorenzo's novel fails to materialize on a timely basis.
Lorenzo works in the school of thought where he writes what he knows. This is where things get especially confusing, especially as the movie moves into its third act. As the sex with Lucia becomes more intense, his novel heats up with similar situations. So is he writing what is happening to him, or is he imagining what he wishes would happen? He begins to incorporate Belen (Elena Anaya, Fading Memories, Where the World Ends) into his novel. Belen, Lorenzo learns, is taking care of his daughter Luna (Silvia Llanos). He spends time with Belen because she spends time with Luna, but eventually their relationship becomes much closer. Some of the twists and relationships that exist between the characters become a little along the lines of a bad soap opera, but this is forgivable since Medem goes about it so stylistically. Everything turns back on itself, and everybody, sooner or later, comes back. Things begin getting extremely confusing, and there are multiple ways to interpret the ending, each one satisfying. Watching Sex and Lucia requires some thought, since things flash by quickly that have meaning later.
quote from haro-online：
Visually, Sex and Lucia is enthralling. Filming sex is difficult, adding the element of eroticism especially so. Lucia and Lorenzo (and everyone else) literally attack each other in bed, moaning, writhing, stripping, and playing with all sorts of things to sultry music by Alberto Iglesias (All About My Mother, Lovers of the Artic Circle). Medem films in such a way that parts of Sex and Lucia look like a dream, and this doesn't help understanding the movie any better. The island represents a happier time for Lorenzo, which is why Lucia goes there. On the island, the camera emphasizes the sun; everything is incredibly bright. It is as if nobody can hide anything, and the sun can cleanse away anything bad. And Medem isn't just using graphic sex to lure people in. The most explicit stuff tones down after the first half hour or so, and Medem then takes time to flesh out the characters more. Lorenzo is dealing with paternal instincts, Lucia with love, and Elena with betrayal. The characters quickly learn that they need more than superficial things for happiness. By the end, aside from the mass feeling of confusion and awe, it's also clear that at heart, Medem is a romantic.
看了眩晕了吧？还是说说八卦
提起西班牙电影，当仁不让的是阿尔莫多瓦，不能不提的还有近几年国际影坛名声雀起的难得的“双才”（天才+鬼才）--胡里奥.梅德姆（这位先生此前的作品就有非常棒的《牛》、《红松鼠杀人事件》、《北极圈的情人》），他被誉为阿尔莫多瓦接班人，其影片中诡异、迷离、唯美的特色在露西亚的情人一片中表现的淋漓尽致。
影片设定的外景是地中海一个小岛，无论是月色撩人的夜晚还是阳光灿烂的正午，每一幅画面都如同毕加索的风景，表面平静如水，深处波涛暗涌，胡里奥是个讲故事的高手，他把《露西亚的情人》这样老套的故事，讲得扑朔迷离，跌宕起伏，用一种错综复杂，古怪，偏执甚至一种近乎病态的人物关系和人物来结构自己的故事。
影片女主角是Paz Vega，她在阿尔莫多瓦《对她说》中出演Amparo
http://heybeauty.com/feifei/archives/001676.html
我对于好电影的标准特别宽泛，只要画面唯美，音乐动人，情节紧张曲折，结尾出乎意料，我就觉得是一部好电影，无他，给我带来两个小时的愉悦，这不就是一部好电影么？
露西亚的情人就是这样一部好电影，整整两个小时，呼吸一直随着情节跌宕起伏，每个转折我都尝试猜测结果，每次都猜错。直到最后，结果出来，不那么阴郁的结果，留给看的人一丝阳光。
以下内容是剧情介绍，如果准备自己看的就请跳过，以免破坏新奇感：
The story has two main threads, one taking place in the present, and one taking place six years earlier leading up to the present. What is clear is that Lorenzo (Tristan Ulloa, Don't Cry Germaine) is famous author with writer's block. Years ago, he had a one-night stand with Elena (Najwa Nimri, Before Night Falls, Open Your Eyes). She had a daughter, but he doesn't know this.
In the present, Lorenzo's relationship with Lucia (Vega, Nobody Knows Anybody, I Will Survive) is just over. Lucia cannot stand Lorenzo anymore, and he now realizes how much he needs her. After a phone call from the police, Lucia believes Lorenzo is dead and goes to the island that inspired Lorenzo's writing to search for some sort of catharsis. There, she rents a room in a boarding house and spends the day traveling around the island. Medem then flashes back and shows the how Lucia and Lorenzo got together. Lucia was a huge fan of Lorenzo's first book, and she essentially threw herself at him. Their initial relationship consisted mostly of sex, which Medem filmed in unnecessarily graphic detail, as is the style in Europe these days. This can show any number of things; how tenuous their relationship is, how strong their relationship can be based on so little, or how spontaneous and free Lucia is. Their relationship begins to crumble as Lorenzo's novel fails to materialize on a timely basis.
Lorenzo works in the school of thought where he writes what he knows. This is where things get especially confusing, especially as the movie moves into its third act. As the sex with Lucia becomes more intense, his novel heats up with similar situations. So is he writing what is happening to him, or is he imagining what he wishes would happen? He begins to incorporate Belen (Elena Anaya, Fading Memories, Where the World Ends) into his novel. Belen, Lorenzo learns, is taking care of his daughter Luna (Silvia Llanos). He spends time with Belen because she spends time with Luna, but eventually their relationship becomes much closer. Some of the twists and relationships that exist between the characters become a little along the lines of a bad soap opera, but this is forgivable since Medem goes about it so stylistically. Everything turns back on itself, and everybody, sooner or later, comes back. Things begin getting extremely confusing, and there are multiple ways to interpret the ending, each one satisfying. Watching Sex and Lucia requires some thought, since things flash by quickly that have meaning later.
quote from haro-online：
Visually, Sex and Lucia is enthralling. Filming sex is difficult, adding the element of eroticism especially so. Lucia and Lorenzo (and everyone else) literally attack each other in bed, moaning, writhing, stripping, and playing with all sorts of things to sultry music by Alberto Iglesias (All About My Mother, Lovers of the Artic Circle). Medem films in such a way that parts of Sex and Lucia look like a dream, and this doesn't help understanding the movie any better. The island represents a happier time for Lorenzo, which is why Lucia goes there. On the island, the camera emphasizes the sun; everything is incredibly bright. It is as if nobody can hide anything, and the sun can cleanse away anything bad. And Medem isn't just using graphic sex to lure people in. The most explicit stuff tones down after the first half hour or so, and Medem then takes time to flesh out the characters more. Lorenzo is dealing with paternal instincts, Lucia with love, and Elena with betrayal. The characters quickly learn that they need more than superficial things for happiness. By the end, aside from the mass feeling of confusion and awe, it's also clear that at heart, Medem is a romantic.
看了眩晕了吧？还是说说八卦
提起西班牙电影，当仁不让的是阿尔莫多瓦，不能不提的还有近几年国际影坛名声雀起的难得的“双才”（天才+鬼才）--胡里奥.梅德姆（这位先生此前的作品就有非常棒的《牛》、《红松鼠杀人事件》、《北极圈的情人》），他被誉为阿尔莫多瓦接班人，其影片中诡异、迷离、唯美的特色在露西亚的情人一片中表现的淋漓尽致。
影片设定的外景是地中海一个小岛，无论是月色撩人的夜晚还是阳光灿烂的正午，每一幅画面都如同毕加索的风景，表面平静如水，深处波涛暗涌，胡里奥是个讲故事的高手，他把《露西亚的情人》这样老套的故事，讲得扑朔迷离，跌宕起伏，用一种错综复杂，古怪，偏执甚至一种近乎病态的人物关系和人物来结构自己的故事。
影片女主角是Paz Vega，她在阿尔莫多瓦《对她说》中出演Amparo
http://heybeauty.com/feifei/archives/001676.html
