Bressane's first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: "In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world". "If we talk about ho...
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Bressane's first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: "In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world". "If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: 'This is the film. This is the horror'. The meaning of the film, its appeal, derives from this laboratory of light" (J. Bressane). — Torino Film Festival
恐怖的奥拉沃男爵的短评 · · · · · · ( 全部 4 条 )
0 有用 小麦 看过 2024-02-23 09:52:30 辽宁
雷片
0 有用 豆友95 看过 2018-06-15 02:35:41
60.44
0 有用 1 看过 2011-10-29 17:48:08
把我笑了，镜头内没有任何磁性，一部糟的和一部好的边缘电影已经很难分了。Júlio Bressane已经有好几部给我一种浑水摸鱼的坏感觉了，他这一部中几乎对电影内的任何元素都没有控制了，只是在执行一个已经想好的概念。整个巴西边缘电影运动这个问题都是值得反思的，究竟它们需不需要一个质量衡量的标准
0 有用 戈尔贡佐拉 看过 2022-04-19 19:14:54
美丽又骚气的helena ignez女士 墓地 向日葵 疯了的女人 qj新娘尸体的男人 FIM