魏宁格的最后一夜 Weiningers Nacht (1989)

Name: 魏宁格的最后一夜 Weiningers Nacht
Genre: 剧情
Duration: 1 h 45 min
Cast: 保卢斯·曼克 Paulus Manker, 哈康·希森贝格尔 Hakon Hirzenberger, 安德莉亚·埃克特 Andrea Eckert, 西戈德·拉普 Sieghardt Rupp, Hilde Sochor Hilde Sochor

导演: Paulus Manker
编剧: 保卢斯·曼克
类型: 剧情
制片国家/地区: 奥地利
语言: 德语
上映日期: 1989
片长: Germany: 105 分钟
又名: Weininger's Last Night
IMDb: tt0098629

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魏宁格的最后一夜的剧情简介 · · · · · ·

　　Otto Weininger (April 3, 1880 – October 4, 1903) was an Austrian philosopher. In 1903, he published the book Geschlecht und Charakter (Sex and Character), which gained popularity after his suicide at the age of 23. Today, Weininger is generally viewed as misogynistic and antisemitic in academic circles, but was held to be a great genius by the philosopher Ludwig Wittgenstein an... (展开全部) 　　Otto Weininger (April 3, 1880 – October 4, 1903) was an Austrian philosopher. In 1903, he published the book Geschlecht und Charakter (Sex and Character), which gained popularity after his suicide at the age of 23. Today, Weininger is generally viewed as misogynistic and antisemitic in academic circles, but was held to be a great genius by the philosopher Ludwig Wittgenstein and the writer August Strindberg.
　　In his book Sex and Character, Weininger argues that all people are composed of a mixture of the male and the female substance, and attempts to support his view scientifically. The male aspect is active, productive, conscious and moral/logical, while the female aspect is passive, unproductive, unconscious and amoral/alogical. Weininger argues that emancipation should be reserved for the "masculine woman", e.g. some lesbians, and that the female life is consumed with the sexual function: both with the act, as a prostitute, and the product, as a mother. Woman is a "matchmaker". By contrast, the duty of the male, or the masculine aspect of personality, is to strive to become a genius, and to forego sexuality for an abstract love of the absolute, God, which he finds within himself.
　　A significant part of his book is about the nature of genius. Weininger argues that there is no such thing as a person who has a genius for, say, mathematics, or music, but there is only the universal genius, in whom everything exists and makes sense. He reasons that such genius is probably present in all people to some degree.
　　In a separate chapter, Weininger, himself a Jew who had converted to Christianity in 1902, analyzes the archetypal Jew as feminine, and thus profoundly irreligious, without true individuality (soul), and without a sense of good and evil. Christianity is described as "the highest expression of the highest faith", while Judaism is called "the extreme of cowardliness". Weininger decries the decay of modern times, and attributes much of it to feminine, and thus Jewish, influences. By Weininger's reckoning everyone shows some femininity, and what he calls "Jewishness".
　　Weininger's suicide in the house in Vienna where Beethoven had died, the man he considered one of the greatest geniuses of all made him a cause célèbre, inspired several imitation suicides, and turned his book into a success. The book received glowing reviews by August Strindberg, who wrote that it had "probably solved the hardest of all problems", the "woman problem".
　　This film, dramatizing Weininger's life, is an adaptation of the 1982 play Soul of a Jew by Israeli writer Joshua Sobol. Director Paulus Manker also plays the lead role.

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0 有用小易甫看过 2015-02-24 17:11:59

魏宁格的生活压力在银幕上如舞台剧般汇集成回忆与想象的螺旋，其心神不定通过分身和镜像以及部分倾斜的表现主义的摄影角度来表现，同时用女演员来展现其潜在的女性自我，克拉拉一角则重点突出了对徒劳的犹太复国主义的争论。但尤其是同一演员的多重角色所造成的暗示使得影片最终败于自己的象征手法。

2 有用めのう看过 2017-04-16 15:37:08

没找到中文字幕不知所云…

2 有用 Curt Duncan 看过 2012-09-23 21:38:37

电影本身作为戏剧还不错,但是用弗洛伊德的理论去诠释一个反弗洛伊德的人,太局限鸟.

0 有用 1 看过 2014-06-12 20:03:26

0 有用只抓住6个看过 2024-01-22 17:24:18 上海

三星半。知识分子趣味的Cult片。没错，主人公就是那个23岁写出惊世骇俗的、也是自己唯一的著作《性与性格》的魏宁格，我觉得魏宁格的最大意义就在于他对人类学识产生了强有力的干扰。他最后在贝多芬去世的房子里自杀，电影以戏剧形式描写他的临终活动，通过对话呈现了魏宁格的主要理论，加了一点荒诞超现实，还用了几张阿尔弗雷德·库宾的不宜在这里展示的画

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About Otto Weininger	来自Curt Duncan	4 回应	2022-04-26 00:14:54
有字幕了吗？	来自nadja		2020-02-18 21:27:27

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魏宁格的最后一夜 Weiningers Nacht (1989)

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