Producer Samuel Goldwyn’s lavish though compromised adaptation of Emile Zola’s novel Nana (1934) is best remembered today as the infamous Hollywood debut of Russian-born starlet Anna Sten. The film is the story of a mercenary streetwalker turned stage singer whose calculating social rise is undone when she falls in love. Sten was to be Goldwyn’s answer to Greta Garbo at MGM and...
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Producer Samuel Goldwyn’s lavish though compromised adaptation of Emile Zola’s novel Nana (1934) is best remembered today as the infamous Hollywood debut of Russian-born starlet Anna Sten. The film is the story of a mercenary streetwalker turned stage singer whose calculating social rise is undone when she falls in love. Sten was to be Goldwyn’s answer to Greta Garbo at MGM and Marlene Dietrich at Paramount, his own exotic leading lady. That she spoke not a word of English when he signed her to a lucrative two-year contract didn’t trouble him in the least. Before she even arrived in America, Goldwyn busied himself building up his starlet’s image as “the passionate princess” and “the Soviet Cinderella,” an exotic fairy-tale princess whose beauty and charisma would capture the public imagination. Or so he hoped.
娜娜的短评 · · · · · · ( 全部 4 条 )
0 有用 Strategic_Scien 看过 2024-05-29 17:42:09 德国
35mm@ Filmmuseum. 除了Stagecoach这样的足够本土化的改编，好莱坞就不该乱拍欧洲的文学名著，看着各种尬。女性角色之间的互动和恐婚还是有些Arzner一贯的风格，但是影片最突出的风格还是体现在Gregg Toland
0 有用 娜娜的猫头鹰 看过 2025-07-01 23:41:37 广东
菲利浦在这片子里的造型帅得惨绝人寰，没演技就没演技吧呜呜…
0 有用 小蘑菇南南 看过 2016-08-04 02:30:14
此版娜娜神经质得心疼
0 有用 PNMJ 看过 2024-02-23 05:06:35 英国
感觉是剧作的问题，毕竟是改编所以没那么Arzner但其实Nana这个角色本身还挺像她会拍的那种姐的。If anything 就是男女主演技都有够差的，但是我学到了新的很合适的词so instead of saying烂，这是演的histrionic。然后就是姐美的我心梗了简直，Mae Clarke神情好灵好像那个很美的Aline Masson肖像画