春心有谁怜 I Start Counting (1969)

Name: 春心有谁怜 I Start Counting
Genre: 惊悚
Duration: 1 h 45 min
Cast: 珍妮·艾加特 Jenny Agutter, 布莱恩·马歇尔 Bryan Marshall, 西蒙·沃德 Simon Ward, 布莱恩·马歇尔 Bryan Marshall, Billy Russell Billy Russell

导演: 大卫·格瑞尼
编剧: 奥黛丽·厄斯金-林多普
主演: 珍妮·艾加特 / 布莱恩·马歇尔 / Clare Sutcliffe / 西蒙·沃德
类型: 惊悚
制片国家/地区: 英国
语言: 英语
上映日期: 1969
片长: UK: 105 分钟
又名: 倒計時
IMDb: tt0064462

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春心有谁怜的剧情简介 · · · · · ·

　　The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows i... (展开全部) 　　The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.
　　At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.
　　But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.
　　I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.
　　by D.R. SHIMON@lounge.moviecodec.com

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春心有谁怜的短评 · · · · · · ( 全部 21 条 )

2 有用冰咖啡看过 2021-12-22 17:01:26

32岁吗？像是52岁时的成龙大哥

0 有用迷蟲朋克看过 2023-09-18 23:37:25 广东

女主有一丝丝的安娜卡丽娜。尾随暗恋大叔悄咪咪回家换睡衣、躺着下楼梯那段，醉醺醺的，少女情怀是从任何角度，倒挂着，歪着脑袋，用奇怪的方式看自己喜欢的人咯咯笑，全片最喜欢的一段！但后面觉得有点烦，因为这个男人实在太平庸了，不过少女是这样！最后真凶我确实没猜到......有一点男版《甜美爱丽丝》的感觉。（又一部海报吸引来看的片）