波斯尼亚 Bosna! (1994)

Name: 波斯尼亚 Bosna!
Genre: 纪录片
Released: 1994-05-18
Duration: 1 h 57 min
Cast: 伯纳德·亨利·莱维 Bernard-Henri Lévy

导演: Alain Ferrari / 伯纳德·亨利·莱维
编剧: Gilles Hertzog / 伯纳德·亨利·莱维
主演: 伯纳德·亨利·莱维
类型: 纪录片
制片国家/地区: 法国 / 波黑
语言: 法语
上映日期: 1994-05-18(法国)
片长: USA: 117 分钟
IMDb: tt0109319

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波斯尼亚的剧情简介 · · · · · ·

　　It's hard to approach the good and bad in this film without being caught up a discussion of the message of BOSNA!, for this is a film that explicitly sets out to convert its audience to its side, to make people aware of the war and to try to influence them to pressure their governments to intervene. It's a film that's very aware of itself, of the process of its making and of th... (展开全部) 　　It's hard to approach the good and bad in this film without being caught up a discussion of the message of BOSNA!, for this is a film that explicitly sets out to convert its audience to its side, to make people aware of the war and to try to influence them to pressure their governments to intervene. It's a film that's very aware of itself, of the process of its making and of the influence it might have: for example, Mitterand's visit to Bosnia is portrayed as an outcome of information given to the French President by the director, Bernard-Henri Levy.
　　The film is full of very disturbing images: a mother and child fleeing from snipers in Sarajevo; bodies littering a street after a shell has landed on a bread queue, many of them with legs or faces blown off; starving prisoners staring at the camera through the barbed wire of a concentration camp. It's impossible not to be moved by the suffering of these people, and difficult not to feel anger at the inaction of the diplomats who do little but talk while people are fighting for their lives and homes. The film makes much of comparisons between Western indifference to Bosnia today and Western indifference to Czechoslovakia and the Spanish Republic in the 1930s. There is, suggests Levy, the same denial, the same explanations that it's all much too complex to get involved in. In 1945 people saw pictures of the concentration camps in Poland and said "never again", but now that the camps are back it seems that we would rather deny them, or suggest that there's fault on both sides, then determine to stop the atrocities.
　　If there is anything I don't like about BOSNA!, it is the incessant wordiness of the voice-over. Perhaps Levy was so anxious to persuade that he didn't dare to let the audience come to their own conclusions. At times sounding like a Biblical prophet, at times hectoring us, at times reflecting on how the war affects our image of ourselves as Europeans, the narration never lets the eloquent pictures speak for themselves, pictures that have more than enough power to move and to persuade on their own.

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波斯尼亚的短评 · · · · · · ( 全部 2 条 )

0 有用 Muyan 看过 2016-07-14 07:12:19

当电影是武器还是语言的区别

1 有用 [Deleted] 看过 2020-01-12 15:44:46

Bernard-Henri Lévy影展，不仅是看到出彩的文本视觉化的战争/政治纪录片，也是大概看到死人尸体最多的一部电影…30年前的纪实风格不是为了夺人眼球（其实在Peshmerga跟拍kurdish狙击战一段，刻意用字幕介绍了之后的被爆头，避免这样血腥场面)，而是真的可以设身处地去想：BHL在波黑的四年，到底经历了多少这样痛苦的记忆？在电影开始前他上台介绍创作的初衷“…波黑是欧洲的穆斯林国家，... Bernard-Henri Lévy影展，不仅是看到出彩的文本视觉化的战争/政治纪录片，也是大概看到死人尸体最多的一部电影…30年前的纪实风格不是为了夺人眼球（其实在Peshmerga跟拍kurdish狙击战一段，刻意用字幕介绍了之后的被爆头，避免这样血腥场面)，而是真的可以设身处地去想：BHL在波黑的四年，到底经历了多少这样痛苦的记忆？在电影开始前他上台介绍创作的初衷“…波黑是欧洲的穆斯林国家，在拍摄这部电影的时候，希望人能听见他们的声音，我不想它死在那个时代” (展开)