"Schmid’s satire on 19th-century class relations is also a thinly veiled commentary on the failure of the 1968 political revolution. Once a year, an aristocratic Austrian family holds a traditional feast at which masters and servants trade places (the basic idea reminds Pirandello and a short story by Poe where the inmates of a asylum switch places with the doctors.) A troupe o...
(展开全部)
"Schmid’s satire on 19th-century class relations is also a thinly veiled commentary on the failure of the 1968 political revolution. Once a year, an aristocratic Austrian family holds a traditional feast at which masters and servants trade places (the basic idea reminds Pirandello and a short story by Poe where the inmates of a asylum switch places with the doctors.) A troupe of actors are hired to entertain the guests, performing fragments from the “cultural scrap heap”: GONE WITH THE WIND, MADAME BOVARY, Tennessee Williams, Swan Lake. The decadent proceedings take on a dangerous edge when the actors incite the servants to revolt against their masters – but is the revolution also part of the act? This caustic political statement, attacked by the Left when the film was released, seems more prescient today in an age of corporate and media co-optation. In a film, that perhaps links 'RULES OF THE GAME' (Renoir) with 'VIRIDIANA' (Buñnel), Schmid intoduces his hallmark melange of operetta and pop music."
今夜或永不的短评 · · · · · · ( 全部 6 条 )
0 有用 远山 看过 2024-04-19 15:45:12 山东
歌剧风格的处女作，极其抽象的慢动作表演风格展现19世纪贵族与仆人身份颠倒后的演剧。即便端坐上位，仆人们却如失去灵魂的行尸走肉。戏中戏只看出表演的第一段是《包法利夫人》。过于诡异和沉闷的后现代主义风，施密德下一部作品《帕洛玛》是这种风格的延续和升华。
0 有用 giuliaducasse 看过 2024-06-27 05:09:47 法国
意大利语部分很动人
0 有用 三条分部 看过 2024-08-02 16:10:28 美国
庆典中主人与仆人=奴隶，以及演员=小丑三种运动层级的交织。严格按主奴秩序进行的这个虚伪的仪式中小丑的表演与讴歌，将怪诞的僵死与身体的无知觉倒错成了和谐与庄严，运动的无限缓慢令这个周而复始轮回的仪式成为由无数光辉的瞬间构成的时间的废墟。
1 有用 paradiso 看过 2021-12-23 16:41:44
这位瑞士导演70年代三部电影都是法斯宾德草台班子，第一部简直是老饭店沉浸式实景小剧场话剧，但由于有剧中剧旅行艺人助兴所以是像综艺秀一样一段一段的反而比较容易消化。说是主仆调转之夜但主人也就是饭菜都烧好后摆桌然后跟仆人一起趴体，太轻松。施密特对劳动人民有些悲观啊剧中仆人们仿佛铁板一块几乎没有对白所谓情绪刻画都在主人们，脱口秀艺人鼓动半天还是鸡同鸭讲，当然，他说的是意大利语所以没人听得懂，当时前卫左翼... 这位瑞士导演70年代三部电影都是法斯宾德草台班子，第一部简直是老饭店沉浸式实景小剧场话剧，但由于有剧中剧旅行艺人助兴所以是像综艺秀一样一段一段的反而比较容易消化。说是主仆调转之夜但主人也就是饭菜都烧好后摆桌然后跟仆人一起趴体，太轻松。施密特对劳动人民有些悲观啊剧中仆人们仿佛铁板一块几乎没有对白所谓情绪刻画都在主人们，脱口秀艺人鼓动半天还是鸡同鸭讲，当然，他说的是意大利语所以没人听得懂，当时前卫左翼文艺产品脱离底层并不能应用于实际斗争之自嘲么..哈里巴尔英格丽卡文彼得沙泰勒演的也都是主人们。rarefilmm高清英字。 (展开)
0 有用 糖罐子. 看过 2022-06-28 19:31:14
尚未成为丹尼尔·施密德，但毕竟“Heute nacht oder nie”。