未亡人 미망인 (1955)

导演: 朴南玉
主演: Lee Min-Ja, Lee Tak-Kyun, Choi Nam-Hyeon, Yoo Kye-Seon, Na Ae-Sim
类型: 剧情
官方网站: http://www.koreafilm.org/feature/100_8.asp
制片国家/地区: 韩国
语言: 韩语
上映日期: 1955-12-10(韩国)
片长: 75分钟
又名: The Widow
IMDb: tt0312964

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未亡人的剧情简介 · · · · · ·

　　Synopsis
　　Having lost her husband in the Korean War and living as a refugee with her daughter Ju (Lee Seong-ju), Shin (Lee Min-ja) gets by with the help of her late husband's friend Lee Seong-jin (Shin Dong-hun). However, Lee's sense of duty toward his friend's widow soon turns into love. Sensing his feelings for Shin, Lee's wife (Park Yeong-suk) upbraids her husband in deep jea... (展开全部) 　　Synopsis
　　Having lost her husband in the Korean War and living as a refugee with her daughter Ju (Lee Seong-ju), Shin (Lee Min-ja) gets by with the help of her late husband's friend Lee Seong-jin (Shin Dong-hun). However, Lee's sense of duty toward his friend's widow soon turns into love. Sensing his feelings for Shin, Lee's wife (Park Yeong-suk) upbraids her husband in deep jealousy and hysteria, and even resorts to finding solace in the arms of a young man named Taek (Lee Taek-kyun), whom she meets by chance. The fiery affair between Taek and Lee's wife takes a different turn when Taek saves Shin's daughter Ju from drowning at the beach. Although Shin finds herself receiving romantic overtures from Lee, she falls in love instead with the savior of her daughter's life and entrusts her daughter to another family in order to move in with Taek. Unfortunately, Taek's former girlfriend Jin (Na Ae-sim), thought to have died in the war, returns and he decides to leave Shin, to her utter dismay. Already settled with Jin, Taek bids Shin farewell, but Shin, who had sought to find truth in her love life with Taek, is shocked into pointing a knife at her lover.
　　Notes
　　"The first and final film by Korea's original female director, Park Nam-ok, which faithfully portrays from a female perspective the desires of women after the Korean War."
　　The Widow, by Korea's first female director, realistically portrays from a woman's perspective the actual hardships and circumstances faced by post-war widows. When her husband's death results in the loss of her livelihood, the female protagonist accepts financial assistance from her husband's friend even as she resists his romantic advances. When she falls in love with a younger man, she is true to her own desires to the extent of leaving her daughter with another family and setting up a business and a home with the money she has received from her husband's friend. Interestingly, The Widowdoes not mythologize its depiction of motherhood, opting instead to starkly represent the honest desires of women after the war. Although Shin demonstrates inner conflict between romantic and maternal love, she ultimately chooses the former. The film could be said to present its female protagonist as someone, who is shockingly true to herself, but, at the same time, it refrains from vilifying her, or depicts her in an unsympathetic light.
　　Unlike many male directors who looked with a hypocritical, duplicitous gaze of fascination and chastisement on post-war "apres girls," Park Nam-ok's empathetic portrayal maintains a clear female perspective by showing just how difficult it was for women to survive among men while realizing their own desires.
　　Afterword:
　　- The surviving film stock lacks the final scene, making it difficult to ascertain the film's ending.
　　- The Widow came under the spotlight when it was screened at the 1st Women's Film Festival in Seoul, in 1997.

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未亡人的短评 · · · · · · ( 全部 4 条 )

0 有用百年孤寂看过 2012-08-22 18:08:05

厚實,不過視頻看到最後總覺得沒拍完就結束了,去查了一下,果然還有15分鐘沒上載

1 有用发条辰看过 2024-04-30 22:29:07 意大利

#2024Far East Film Festival#4K修复，很具有东方特色的战后电影，某些镜头的视角跟日本的区别蛮大的，最后10分钟左右的声音还没有修复好📽️

5 有用 Meko 看过 2020-08-01 23:55:16

开头以为是“新旧女性对比下论家庭伦理与婚姻悲剧”，然而剧情与主人公的感情在一连串偶遇时间后开始了断点式跃进。“巧合”本身就带有浪漫和脱轨的意味，在这里成为推动剧情和艺术表达的重要元素。五个人五段情四个家庭，一点点浮现、交织，共同构成战争的宏大叙事。企业家妻子、遗孀、风尘女子（50年代电影中的她们，都有个漂亮的英文名），以及短暂出场的珍，刻画鲜明，各代表一类当时的典型女性形象，在这一意义上的确可以说... 开头以为是“新旧女性对比下论家庭伦理与婚姻悲剧”，然而剧情与主人公的感情在一连串偶遇时间后开始了断点式跃进。“巧合”本身就带有浪漫和脱轨的意味，在这里成为推动剧情和艺术表达的重要元素。五个人五段情四个家庭，一点点浮现、交织，共同构成战争的宏大叙事。企业家妻子、遗孀、风尘女子（50年代电影中的她们，都有个漂亮的英文名），以及短暂出场的珍，刻画鲜明，各代表一类当时的典型女性形象，在这一意义上的确可以说是一部“女性电影”，不过耐人寻味的是，剧作家其实是导演的丈夫。以“韩国第一位女导演作品”被载入影史的这部电影，确有其时代性：美军接管韩半岛南部后的社会风气转向和影业繁荣，给所谓“女导演”的出现创造了条件；制作成本的限制使与意大利新浪潮作品一样，具有纪实感。 (展开)

0 有用鹤一看过 2024-12-29 06:08:39 英国

非必要不用看～

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基本信息	来自fujinohikari		2012-07-03 19:18:57

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未亡人 미망인 (1955)

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