Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on...
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Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.
造物的短评 · · · · · · ( 全部 9 条 )
1 有用 米粒爱肥内裤 看过 2019-07-17 23:18:35
90分钟完整演出高清录像链https://douc.cc/4vlMAu 作为继皮娜·鲍什后最受国际关注的德国舞蹈家，在过去十年间，莎夏·瓦茨基本上以自创的“编舞歌剧”为工作重心，《造物》是她重返研究实验的创造性创作方式的溯源之作。2019年起，她也担任柏林市立芭蕾舞团的主管。
0 有用 小易甫 看过 2019-07-17 23:38:56
延续了她先前作品强烈的视觉和动作元素：身体条件迥异的十四名舞者宛若外来生物一般分别寻找各自的亲密，却反复经受吸引和拒绝、情绪冲击和冷漠淡视的撕扯。作品大致划分为出生起源、个体胆怯迟疑地接近集体以及个体同集体的对抗三部分。全体舞者以攻击性姿势对抗隐形的威胁，或以呆板动作配合连续捶打的节奏，被甄别出的外来者遭遇推搡和隔离。整场演出从急躁不安过渡到细腻流畅，并不时融入动物性联想。作品展现了濒临瓦解的社会... 延续了她先前作品强烈的视觉和动作元素：身体条件迥异的十四名舞者宛若外来生物一般分别寻找各自的亲密，却反复经受吸引和拒绝、情绪冲击和冷漠淡视的撕扯。作品大致划分为出生起源、个体胆怯迟疑地接近集体以及个体同集体的对抗三部分。全体舞者以攻击性姿势对抗隐形的威胁，或以呆板动作配合连续捶打的节奏，被甄别出的外来者遭遇推搡和隔离。整场演出从急躁不安过渡到细腻流畅，并不时融入动物性联想。作品展现了濒临瓦解的社会背景下个人和集体的存在状态：哪些力量在集体中发挥着作用？群体如何构建自身又怎样承载和抛弃个体？由此讨论了支配与无助、自由与控制、群体与隔离之间的关联。 (展开)
0 有用 末窗 看过 2020-05-10 00:45:59
着装的材料挺有意思，背景那个灯光好像Robert Wilson的极简风 20/04/2020 - 09/05/2020 arte.tv 限时放映：https://www.arte.tv/de/videos/079464-000-A/sasha-waltz-guests-kreatur/
0 有用 戈尔贡佐拉 看过 2021-11-16 11:34:02
茧装好看
0 有用 炼金术士XL 看过 2020-05-03 03:24:50
补标：@ 阿维尼翁，就像在探索人类的身体/人类关系/环保（x，真奇妙。比起编舞更在意服装，是3d打印的吗