When the terrible 1960 earthquake hit Agadir, the local cinema Salam was showing Ishiro Honda and Terry O. Morse’s Godzilla, King of Monsters! Weirdly enough, it was also one of the few buildings to survive the tragedy. Many years later, Gilles Aubry visits the place trying to understand how the memory of the seismic event has survived and is transmitted to the new generations....
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When the terrible 1960 earthquake hit Agadir, the local cinema Salam was showing Ishiro Honda and Terry O. Morse’s Godzilla, King of Monsters! Weirdly enough, it was also one of the few buildings to survive the tragedy. Many years later, Gilles Aubry visits the place trying to understand how the memory of the seismic event has survived and is transmitted to the new generations. Shot inside the cinema and in the surroundings of Agadir, the film is driven by an abstract soundtrack recorded on location. Audio samplings and excerpts of Godzilla are interweaved with extracts of a local poem interpreted by Ali Faiq, a singer from Agadir. Traces of dinosaur footprints found on a nearby beach add further layers of complexity and compose a puzzling mosaic of heteroclite elements. Without trying to force the different pieces of his film in one single frame, the filmmaker challenges the viewer to create his own way through the labyrinth he so brilliantly conjures. His sensorial approach suggests that there might be more to a cinema that served an earthquake than meets the eye.
哥斯拉大戏院的短评 · · · · · · ( 全部 9 条 )
0 有用 阝女 看过 2025-04-22 17:29:09 湖南
恐龙遗迹和哥斯拉能有些微妙共振，但那段素材也实在拆开用太多次了吧
0 有用 小蚁 看过 2025-04-21 23:22:59 浙江
地震、废墟，连接着过去和未来的恐龙和哥斯拉形象并置。恐惧的建构多于权利的重置，尽管这里也引用了马丁扶起岩永的片段。
0 有用 monkey1222 看过 2025-04-20 21:01:36 四川
哥斯拉大串联 喜欢展示脚踏录音部分
0 有用 安托万的造梦机 看过 2025-04-20 23:13:23 北京
用麦克风模仿哥斯拉的设定有点新意
0 有用 LieberK 看过 2025-04-20 21:55:50 辽宁
几乎完全拒绝观众介入