Wheels turn, a crowd surges back and forth, a caged lion roars. Everything—religion, industry, nature, people—seems to be connected in a cycle of creative and destructive forces. In his signature distance montage, Artavazd Pelechian fuses new images and found footage into a single energetic movement.
Classical music, choral singing, and a touch of rock and roll play more than ...
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Wheels turn, a crowd surges back and forth, a caged lion roars. Everything—religion, industry, nature, people—seems to be connected in a cycle of creative and destructive forces. In his signature distance montage, Artavazd Pelechian fuses new images and found footage into a single energetic movement.
Classical music, choral singing, and a touch of rock and roll play more than merely an accompanying role. People suffer, and comfort one another. A hero is welcomed, a girl is silent. This powerful piece of cinema, made fifty years after the Armenian genocide, breathes the energy of the landscape and the history of a people.
我们的短评 · · · · · · ( 全部 24 条 )
1 有用 熊仔俠 看过 2009-10-04 17:40:12
如果说格鲁吉亚人通过游泳来寻找到民族认同，那么亚美尼亚人用了截然不同的方式——集体反思。一边看，一边在思考：这是纪录片，还是电影？其实，不管纪录片还是电影，要把实况或着场面调度处理得这么振奋人心，还是需要亚美尼亚人对自己国家，民族的认同。往往豆芥小国把民族认同抓得很紧（笑）。
1 有用 透明稔 看过 2011-08-08 18:41:05
人潮汹涌感觉你，党的政策亚克西
0 有用 胤祥 看过 2010-12-06 16:12:09
不了解背景资料，仅看形式的话，与《持摄影机的人》类似，蒙太奇学派的诗性作品，画面饱满而有力，情感充沛。的确可以做声画关系与画面内容的细致分析。摄影甚赞。
0 有用 oDD-O-o 看过 2020-10-27 18:13:59
本片的蒙太奇无时无刻不在对立、呼应。虽然看上去很像《持摄影机的人》，对民众生活做一个全方位展示，但本片更加追求技巧上的形式感。且联系到亚美尼亚在苏联的背景可进一步分析其背后意识形态的不同。
0 有用 一"一 看过 2008-11-14 00:17:22
角度 音乐 节奏，人的力量强大到让神畏惧。最后有力的武器，情绪。镜头旋转。老毛的人多主义。