圣贝尔纳尔多 São Bernardo (1972)

Name: 圣贝尔纳尔多 São Bernardo
Genre: 剧情
Duration: 1 h 53 min
Cast: 奥顿·巴斯托斯 Othon Bastos, Isabel Ribeiro Isabel Ribeiro, Vanda Lacerda Vanda Lacerda, 马里奥·拉戈 Mário Lago, Joffre Soares Joffre Soares

导演: 莱昂·赫兹曼
编剧: 莱昂·赫兹曼 / Graciliano Ramos
主演: 奥顿·巴斯托斯 / Isabel Ribeiro / Nildo Parente / Vanda Lacerda / 马里奥·拉戈 / Joseph Guerreiro / Joffre Soares / 鲁道夫·阿瑞纳
类型: 剧情
制片国家/地区: 巴西
语言: 葡萄牙语
上映日期: 1972-06(柏林电影节)
片长: 113 分钟
IMDb: tt0185714

豆瓣评分

暂无评分

想看看过

评价:

圣贝尔纳尔多的剧情简介 · · · · · ·

　　改编自巴西批判现实主义小说家拉莫斯的名著，由新浪潮导演Leon Hirszman执导，是70年代巴西新电影运动中最激进的作品之一，但无疑也是一部难得的杰作。影片获柏林电影节新电影论坛国际奖及多项巴西国家电影奖。Hirszman拍完此片后被迫流亡智利。
　　The most provocative Novo film of the 1970s, São Bernardo (1972), directed by Leon Hirszman (who died of AIDS at 49, in 1987), is based on a novel by Graciliano Ramos, author of Barren Lives, and was released at a time when Brazilian porno films were beg... (展开全部) 　　改编自巴西批判现实主义小说家拉莫斯的名著，由新浪潮导演Leon Hirszman执导，是70年代巴西新电影运动中最激进的作品之一，但无疑也是一部难得的杰作。影片获柏林电影节新电影论坛国际奖及多项巴西国家电影奖。Hirszman拍完此片后被迫流亡智利。
　　The most provocative Novo film of the 1970s, São Bernardo (1972), directed by Leon Hirszman (who died of AIDS at 49, in 1987), is based on a novel by Graciliano Ramos, author of Barren Lives, and was released at a time when Brazilian porno films were beginning to flood the market. Shot with a lean visual style that recalls Bresson, São Bernardo is an absorbing morality play about cutthroat capitalism whose protagonist, a brutal plantation owner, had come to power through force and murder, like the military rulers of Brazil. After its release, the director lived abroad for several years.
　　The story of Paulo Honório, a poor kid who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways. Based on the great brazilian realism writer Graciliano Ramos' novel.
　　Leon Hirszman (1938-1987) is one of Brazil's best-known film directors. Mr. Hirszman directed the 1967 film "Garota de Ipanema" ("The Girl From Ipanema"), which he once described as "my only film made to make money."
　　Born in Rio de Janeiro on Nov. 22, 1937, Mr. Hirszman left Brazil in 1974 at a time of increasing political repression, to live in Chile for two years. Mr. Hirszman won an award at the Venice Film Festival in 1981 with his film "Eles Nao Usam Black Tie" ("They Don't Wear Black Tie"). The film was chosen as "best picture of the year" in Brazil and Mr. Hirszman was also named as best director.
　　His first major film, "A Falecida" ("The Deceased"), won a special jury award at the International Film Festival of Rio de Janeiro in 1965. In 1970, he directed "Sao Bernardo," which is considered a classic in Brazil. His last film, "Imagens do Inconsciente" ("Images of the Unconscious") is to be released in Brazil in November.

喜欢这部电影的人也喜欢 · · · · · ·

: 死者

: 里约北区

: 列车强盗机密

: 强盗

: 梆！梆！

: 重要时刻

: 奥古斯托·马查加的回归

: 巴西树人

: 步枪

: 卫星奇遇记

我要写短评

圣贝尔纳尔多的短评 · · · · · · ( 全部 14 条 )

1 有用 1 看过 2009-03-31 14:50:47

0 有用漩涡之外看过 2025-02-07 16:42:16 河南

巴西新浪潮。圣贝尔纳尔多质朴美丽的原野下覆盖着艰辛、眼泪和痛苦，野蛮生长的巴西农场主的粗暴思维和行为吞噬了文明之光和理想主义，它横冲直撞，尖刻狭隘、精明自私。阶级变化让男主与佃农和雇工之间产生对立，唯利是图的他与妻子的观念格格不入，精神追求的不匹配让他们沟通不畅、隔阂渐深。他只能守着艰苦奋斗得来的土地和物质，丰富的农作物却长不出格局和思想，精神荒原使他贫瘠。。。无论是在开阔田野里的冲突、还是在封闭... 巴西新浪潮。圣贝尔纳尔多质朴美丽的原野下覆盖着艰辛、眼泪和痛苦，野蛮生长的巴西农场主的粗暴思维和行为吞噬了文明之光和理想主义，它横冲直撞，尖刻狭隘、精明自私。阶级变化让男主与佃农和雇工之间产生对立，唯利是图的他与妻子的观念格格不入，精神追求的不匹配让他们沟通不畅、隔阂渐深。他只能守着艰苦奋斗得来的土地和物质，丰富的农作物却长不出格局和思想，精神荒原使他贫瘠。。。无论是在开阔田野里的冲突、还是在封闭建筑环境里的矛盾，都突显不同阶层群体的局限性和利益关系。（另：男主令人生厌，抵消了他的辛劳。。。🙃） (展开)

1 有用 fro🌈t 看过 2014-07-24 07:44:01

中间睡着了，又很多没听懂，但还是不妨碍这些牛逼哄哄的镜头，还有Veloso的音乐。

0 有用遠濤看过 2023-10-21 14:57:55 美国

（二刷在油管，这次有字幕）白手起家的农场主保罗，就是张说的人生小角落里的暴君，而原著的深刻与电影技法的细腻令他成为一个孤独的悲剧人物：保罗内心独白以画外音贯穿始终，而全片音乐仅止于卡耶塔诺的吟唱，将许多场戏的氛围提升至悲悯境界。聪明、有反省能力而不能克制自己凶狠、猜疑倾向的保罗始终不是个可爱的人，但选角很好，风景秀美，令观者目光不愿离开这小小一块乡土和其上活动的人物。可说是巴西内地生活的一幅心灵图... （二刷在油管，这次有字幕）白手起家的农场主保罗，就是张说的人生小角落里的暴君，而原著的深刻与电影技法的细腻令他成为一个孤独的悲剧人物：保罗内心独白以画外音贯穿始终，而全片音乐仅止于卡耶塔诺的吟唱，将许多场戏的氛围提升至悲悯境界。聪明、有反省能力而不能克制自己凶狠、猜疑倾向的保罗始终不是个可爱的人，但选角很好，风景秀美，令观者目光不愿离开这小小一块乡土和其上活动的人物。可说是巴西内地生活的一幅心灵图景。（如果有高手以《金锁记》+《怨女》拍一部电影，全片贯穿以重新编剧的七巧/银娣的内心独白，定能别开生面。）"E onde comem dois, comem três." 即中国人说的「多个人不过多双筷子」，Paulo将妻子的tia（姑/姨）亦接纳到家庭中。 (展开)