圣贝尔纳尔多 São Bernardo (1972)

Name: 圣贝尔纳尔多 São Bernardo
Genre: 剧情
Duration: 1 h 53 min
Cast: 奥顿·巴斯托斯 Othon Bastos, Isabel Ribeiro Isabel Ribeiro, Vanda Lacerda Vanda Lacerda, 马里奥·拉戈 Mário Lago, Joffre Soares Joffre Soares

导演: 莱昂·赫兹曼
编剧: 莱昂·赫兹曼 / Graciliano Ramos
主演: 奥顿·巴斯托斯 / Isabel Ribeiro / Nildo Parente / Vanda Lacerda / 马里奥·拉戈 / Joseph Guerreiro / Joffre Soares / 鲁道夫·阿瑞纳
类型: 剧情
制片国家/地区: 巴西
语言: 葡萄牙语
上映日期: 1972-06(柏林电影节)
片长: 113 分钟
IMDb: tt0185714

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圣贝尔纳尔多的剧情简介 · · · · · ·

　　改编自巴西批判现实主义小说家拉莫斯的名著，由新浪潮导演Leon Hirszman执导，是70年代巴西新电影运动中最激进的作品之一，但无疑也是一部难得的杰作。影片获柏林电影节新电影论坛国际奖及多项巴西国家电影奖。Hirszman拍完此片后被迫流亡智利。
　　The most provocative Novo film of the 1970s, São Bernardo (1972), directed by Leon Hirszman (who died of AIDS at 49, in 1987), is based on a novel by Graciliano Ramos, author of Barren Lives, and was released at a time when Brazilian porno films were beg... (展开全部) 　　改编自巴西批判现实主义小说家拉莫斯的名著，由新浪潮导演Leon Hirszman执导，是70年代巴西新电影运动中最激进的作品之一，但无疑也是一部难得的杰作。影片获柏林电影节新电影论坛国际奖及多项巴西国家电影奖。Hirszman拍完此片后被迫流亡智利。
　　The most provocative Novo film of the 1970s, São Bernardo (1972), directed by Leon Hirszman (who died of AIDS at 49, in 1987), is based on a novel by Graciliano Ramos, author of Barren Lives, and was released at a time when Brazilian porno films were beginning to flood the market. Shot with a lean visual style that recalls Bresson, São Bernardo is an absorbing morality play about cutthroat capitalism whose protagonist, a brutal plantation owner, had come to power through force and murder, like the military rulers of Brazil. After its release, the director lived abroad for several years.
　　The story of Paulo Honório, a poor kid who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways. Based on the great brazilian realism writer Graciliano Ramos' novel.
　　Leon Hirszman (1938-1987) is one of Brazil's best-known film directors. Mr. Hirszman directed the 1967 film "Garota de Ipanema" ("The Girl From Ipanema"), which he once described as "my only film made to make money."
　　Born in Rio de Janeiro on Nov. 22, 1937, Mr. Hirszman left Brazil in 1974 at a time of increasing political repression, to live in Chile for two years. Mr. Hirszman won an award at the Venice Film Festival in 1981 with his film "Eles Nao Usam Black Tie" ("They Don't Wear Black Tie"). The film was chosen as "best picture of the year" in Brazil and Mr. Hirszman was also named as best director.
　　His first major film, "A Falecida" ("The Deceased"), won a special jury award at the International Film Festival of Rio de Janeiro in 1965. In 1970, he directed "Sao Bernardo," which is considered a classic in Brazil. His last film, "Imagens do Inconsciente" ("Images of the Unconscious") is to be released in Brazil in November.

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圣贝尔纳尔多的短评 · · · · · · ( 全部 12 条 )

0 有用吹牛伯爵看过 2024-01-19 09:20:21 上海

#巴西新浪潮#残忍的，黑色的，绝望的......当忽明忽暗的摇曳烛光趋渐消瘦，迎接着黑暗的降临——吞噬掉Paulo的全身，只留下几条难以辨识的细部线条与图块，以及最终，抽干了景框内的一切视觉元素，银幕无可避免地落入那一片虚无——时，我们可能才会意识到这或许是巴西“新电影”中最为无望的一个结尾：就连图像、运动与形式都被一并剥夺而束之高阁了。这是一个工整的句点，一个段落休止符，两个静态的面容特写几... #巴西新浪潮#残忍的，黑色的，绝望的......当忽明忽暗的摇曳烛光趋渐消瘦，迎接着黑暗的降临——吞噬掉Paulo的全身，只留下几条难以辨识的细部线条与图块，以及最终，抽干了景框内的一切视觉元素，银幕无可避免地落入那一片虚无——时，我们可能才会意识到这或许是巴西“新电影”中最为无望的一个结尾：就连图像、运动与形式都被一并剥夺而束之高阁了。这是一个工整的句点，一个段落休止符，两个静态的面容特写几乎是将整部影片括了起来，与在不大部分时间内一动也不动的摄影机共同构成一个封闭的戏剧结构，就如同古典式的小说创作一般。同时，角色必须为摄影机的推移付出其无法承担的代价，更为重要的是，Leon拒绝一切神迹的出现，因此他必须在玛德琳娜的嘴唇若有若无地翕动之后再残酷地收回其复生的可能。 2024.1.18 (展开)

0 有用疏雨孟尝看过 2021-02-02 22:59:23

爱者死，罪者死，幸与不幸全不在他们掌握，劳累和悲哀不会消停；大地的夜来临，一次又一次没有声息。

1 有用 fro🌈t 看过 2014-07-24 07:44:01

中间睡着了，又很多没听懂，但还是不妨碍这些牛逼哄哄的镜头，还有Veloso的音乐。

0 有用遠濤看过 2023-10-21 14:57:55 美国

（二刷在油管，这次有字幕）白手起家的农场主保罗，就是张说的人生小角落里的暴君，而原著的深刻与电影技法的细腻令他成为一个孤独的悲剧人物：保罗内心独白以画外音贯穿始终，而全片音乐仅止于卡耶塔诺的吟唱，将许多场戏的氛围提升至悲悯境界。聪明、有反省能力而不能克制自己凶狠、猜疑倾向的保罗始终不是个可爱的人，但选角很好，风景秀美，令观者目光不愿离开这小小一块乡土和其上活动的人物。可说是巴西内地生活的一幅心灵图... （二刷在油管，这次有字幕）白手起家的农场主保罗，就是张说的人生小角落里的暴君，而原著的深刻与电影技法的细腻令他成为一个孤独的悲剧人物：保罗内心独白以画外音贯穿始终，而全片音乐仅止于卡耶塔诺的吟唱，将许多场戏的氛围提升至悲悯境界。聪明、有反省能力而不能克制自己凶狠、猜疑倾向的保罗始终不是个可爱的人，但选角很好，风景秀美，令观者目光不愿离开这小小一块乡土和其上活动的人物。可说是巴西内地生活的一幅心灵图景。（如果有高手以《金锁记》+《怨女》拍一部电影，全片贯穿以重新编剧的七巧/银娣的内心独白，定能别开生面。）"E onde comem dois, comem três." 即中国人说的「多个人不过多双筷子」，Paulo将妻子的tia（姑/姨）亦接纳到家庭中。 (展开)