Vampir-Cuadecuc is possibly a key film in understanding the transition in the Spanish film world from the period of the “new cinemas” (permitted by the Franco government) towards the illegal, clandestine or openly antagonistic practices against the Franco regime. It consists of shooting the filming of a commercial film Count Dracula by Jesús Franco.
Portabella practices two typ...
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Vampir-Cuadecuc is possibly a key film in understanding the transition in the Spanish film world from the period of the “new cinemas” (permitted by the Franco government) towards the illegal, clandestine or openly antagonistic practices against the Franco regime. It consists of shooting the filming of a commercial film Count Dracula by Jesús Franco.
Portabella practices two types of violence on the standard narrative: he totally eliminates color and substitutes the soundtrack with a landscape of image-sound collisions by Carles Santos. Filmed provocatively in 16mm. and with sound negative, the tensions between black and white favor the strange “fantasmatic materialism” of this revealing analysis of the construction mechanism for the magic in dominant narrative cinema, which at the same time constitutes a radical intervention in the Spanish cinematographic institution.
Kuleshov effect at its prime吧，极其富有创意的montage拼接。Dracula形象的塑造成为模糊虚实的锚点，跟着熟悉的故事走下去直到最后发现一切都是“camera work”，只有老李头坐在化妆镜前诵念原著的爵爷之死：“I shall be glad as long as I live that even in that moment of final dissolu...Kuleshov effect at its prime吧，极其富有创意的montage拼接。Dracula形象的塑造成为模糊虚实的锚点，跟着熟悉的故事走下去直到最后发现一切都是“camera work”，只有老李头坐在化妆镜前诵念原著的爵爷之死：“I shall be glad as long as I live that even in that moment of final dissolution, there was in the face a look of peace, such as I never could have imagined might have rested there.”可谓是镜头的写意浪漫了(展开)
吸血鬼的短评 · · · · · · ( 全部 29 条 )
5 有用 姜乌归 看过 2017-11-16 00:12:30
实验电影。去色彩的黑白影片，去对白而加上音效和音乐制造出奇特的观影效果（未能渲染情绪，更像是一种声音实验），黑白影像的高对比度和部分场景的过度曝光不明所以，元电影的话语指涉消去了《吸血鬼之夜》中（本来也不多）的恐怖效果，但整体还是难见统一性
3 有用 吹牛伯爵 看过 2023-08-22 22:40:52 上海
#西班牙新电影# 将一段音乐切分为无意义的音素；使曝光过量的影像暴露出自身的材质；大量“业余”的抖动画面囊括入场景后的工作人员。这一切近乎都应和了60年代结构主义符号学研究的潮流，佩雷不仅将《夜曲》中的风格实验推向极致，更是展示了影像与声音的生成机制，当表现主义的光源不确定来处，恐怖的幻象也被随即戳破。 有声片第一阶段中“声音”刚刚出现时的兴奋感也被如实复现于银幕之中。不需要累赘的字卡或冗长的... #西班牙新电影# 将一段音乐切分为无意义的音素；使曝光过量的影像暴露出自身的材质；大量“业余”的抖动画面囊括入场景后的工作人员。这一切近乎都应和了60年代结构主义符号学研究的潮流，佩雷不仅将《夜曲》中的风格实验推向极致，更是展示了影像与声音的生成机制，当表现主义的光源不确定来处，恐怖的幻象也被随即戳破。 有声片第一阶段中“声音”刚刚出现时的兴奋感也被如实复现于银幕之中。不需要累赘的字卡或冗长的对话，电影似乎重新拥有了声音的强度，作为一种元素被装配其中。如打火机金属的摩挲声，不经意地划过音轨，给予观者听觉一击，一切有如卢米埃尔的火车纵向开向观众所带有的惊吓感与电影原初的激情，在这默片式样的应验下，有声片重新诞生了。 2023.8.21 (展开)
2 有用 放飞自我 看过 2022-01-13 19:02:41
Kuleshov effect at its prime吧，极其富有创意的montage拼接。Dracula形象的塑造成为模糊虚实的锚点，跟着熟悉的故事走下去直到最后发现一切都是“camera work”，只有老李头坐在化妆镜前诵念原著的爵爷之死：“I shall be glad as long as I live that even in that moment of final dissolu... Kuleshov effect at its prime吧，极其富有创意的montage拼接。Dracula形象的塑造成为模糊虚实的锚点，跟着熟悉的故事走下去直到最后发现一切都是“camera work”，只有老李头坐在化妆镜前诵念原著的爵爷之死：“I shall be glad as long as I live that even in that moment of final dissolution, there was in the face a look of peace, such as I never could have imagined might have rested there.”可谓是镜头的写意浪漫了 (展开)
0 有用 kabboom 看过 2025-03-14 12:20:01 山东
影像吸血鬼卧槽，这也太怪了
1 有用 只抓住6个 看过 2017-11-20 11:22:33
像是给默片胡乱配了音，音乐音响都很先锋，与画面若即若离，Pere Portabella的电影总会让人说不清道不明。粗颗粒黑白画面还是比较有力度的，情节并不是关键，何况偶尔还跳出来拍化妆卸妆和摄影师