Asian cinema is fast becoming a cinema without borders. Digital filmmaking and international coproductions are rapidly transforming an industry in which the transnational flow of talent and resources—even between the U.S. and Asia—has become the norm. In a new monthly exhibition, Contemporasian, MoMA showcases films that get little exposure, but which engage the various styles, histories, and changes in Asian cinema. Presented in special weeklong engagements, the films in the series include both recent independent gems and little-seen classics. Director Ying Liang's Ling yi ban (The Other Half) playfully pits youth culture against tradition as he interrelates one woman's reality with the changing economic and social structures of contemporary China.
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