女神之舞 Maya Plisetskaya：Diva of Dance (2006)

Name: 女神之舞 Maya Plisetskaya：Diva of Dance
Genre: 纪录片
Duration: 1 h 40 min

主演: Maya Plisetskaya
类型: 纪录片
制片国家/地区: 俄罗斯/英国
语言: 俄语
片长: 100分钟

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女神之舞的剧情简介 · · · · · ·

　　A compilation of performances including extracts from 'Raymonda', 'Romeo And Juliet' and 'Swan Lake'. Also an interview with Maya Plisetskaya about her life and career.
　　
　　This DVD has two parts. The first, 71 minutes long, called “In Performance,” is a visual retrospective of Maya Plisetskaya’s career; an assemblage of film clips highlighting the virtuosity of her dancing and ... (展开全部) 　　A compilation of performances including extracts from 'Raymonda', 'Romeo And Juliet' and 'Swan Lake'. Also an interview with Maya Plisetskaya about her life and career.
　　
　　This DVD has two parts. The first, 71 minutes long, called “In Performance,” is a visual retrospective of Maya Plisetskaya’s career; an assemblage of film clips highlighting the virtuosity of her dancing and variety of the roles she assumed. She was an outstanding dancer, combining technical brilliance with a keen understanding of the characters she played. Plisetskaya not only had charisma, she had dramatic flare and stage presence. Blessed with an extremely flexible body, she was capable of bending backwards to a remarkable degree, a feat used to great effect when combined with high leaps. In her roles as a swan, Odette and The Dying Swan, she could produce a ripple that undulated through the length of her arms effectively creating the illusion of beating wings.
　　
　　Plisetskaya graduated from the Moscow Bolshoi Ballet School in 1943, when she joined the Bolshoi Ballet as a soloist. Two years later, she became a Ballerina and danced the standard ballerina roles, including Raymonda, Odette/Odile, Kitri, Juliet, and Princess Aurora. In the early 1960s, Plisetskaya was hailed prima ballerina assoluta of the Bolshoi. Julia Lukjanova, in the accompanying booklet, describes Plisetskaya as the “Maria Callas of the ballet.” Unlike Callas, Plisetskaya has lived a long life, and by changing the direction of her career, has enjoyed a long professional life. Plisetskaya was instrumental in expanding the Bolshoi’s repertoire to include modern and experimental works, some of which are glimpsed in this video.
　　
　　With the exception of three works (the Bach Prélude, Saint-Saëns’s The Dying Swan, and Ravel’s Boléro), glimpses are all we get, leaving the viewer begging for more. The snippets from the full-length ballets, most filmed before an audience—a few on soundstages, reveal dancing on an extraordinary level. The film quality varies from acceptable to quite good; some segments are in black and white, others in color. The picture is full screen (NTSC 4: 3), and although the sound format is described as PCM stereo, many segments are monophonic.
　　
　　The second part of the DVD, titled “In Conversation,” is a lengthy (53 minutes) aural memoir by Ms. Plisetskaya and her husband, composer/conductor Rodion Shchedrin. Additional clips of her dancing are included, as well as a number of still photographs of events and people in her professional and personal lives. She and her husband tell of life in the Soviet Union, how she was stalked by the KGB, how her father was murdered and her mother imprisoned, and how she was denied an international career by the Soviet government. Shchedrin’s outpouring of devotion and affection for his wife is a touching finale to this very interesting interview.
　　
　　The two sections, the dance retrospective and the interview, are accessed separately from the main menu. The dance portion is divided into 12 chapters; the interview has 19 chapters. Subtitles for the interview are available in four languages (English, German, French and Spanish). Both parts are pleasures to watch. The film clips of her dancing, many of which are regrettably brief, allow us to glimpse her extraordinary talent; the conversation is interesting and it, too, leaves the viewer wishing for more. If you love ballet, spending two hours with Maya Plisetskaya is a valentine.

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女神之舞的短评 · · · · · · ( 全部 5 条 )

0 有用叫啥爱迪呢看过 2012-01-15 20:30:14

虽然同时期的巴甫洛娃一直是俄国芭蕾舞艺术的更具知名度和影响力的标志性人物，我还是更喜欢这个女人，她的32圈给我10岁的童年带来的影响是永不褪色和淡却的

0 有用國際性恐怖份子看过 2019-06-10 01:09:00

光波麗露就值五星.......OA在呼喚我!

1 有用 kaninchen 看过 2008-07-10 16:53:38

喜欢Plisetskaya与众不同的气质

0 有用 Ranciere 看过 2020-02-07 17:40:46

洛桑国际芭蕾大奖赛

0 有用 emmainthesky 看过 2011-05-07 20:08:15

老一辈舞者＋特定的时代＋叛逆的性格＋糟糕的摄影。

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女神之舞的影评 · · · · · · ( 全部 2 条 )

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novich 2006-11-13 10:07:42

舞蹈女神的幕后

以前就知道玛雅·普列谢茨卡娅是乌兰诺娃之后，俄罗斯芭蕾的骄傲，特点是身材颀长，手足特别纤细，跳起舞来真有凌波御风之感。这张EURO ARTS的DVD是一个比较完整的展示了，从她年青时跳古典芭蕾，到成熟期拓展曲目，跳《卡门打击乐组曲》、《波莱罗》、巴赫《前奏曲》。片中所... (展开)

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正一 2021-03-18 18:07:29

玛娅•米哈伊洛夫娜•普丽谢茨卡娅（Maya Mikhailovna Plisetskaya）

1.生平介绍： 1925年11月20日生于莫斯科，其家族是一个在立陶宛有显赫犹太血统的大家庭。1932年，她在挪威靠近北极的斯匹次卑尔根群岛（Spitsbergen）上学与生活直到1936年，因为她的父亲迈克尔•普利谢茨基（Michael Emmanuilovich Plisetski，1899-1938）在斯匹次卑尔根群... (展开)

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