寻找西瓜女 The Watermelon Woman (1996)

导演: 谢丽尔·邓耶
编剧: 谢丽尔·邓耶
主演: 谢丽尔·邓耶 / 吉娜薇·特纳 / Valarie Walker
类型: 喜剧 / 同性
制片国家/地区: 美国
语言: 英语
上映日期: 1997-04-06
片长: 90 分钟
又名: 西瓜女郎
IMDb链接: tt0118125
5星
21.6%
4星
45.4%
3星
28.4%
2星
3.1%
1星
1.5%

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寻找西瓜女的短评 · · · · · · ( 全部 83 条 )

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3 Connie 看过 2007-05-24

太自然了 喜歡喜歡........Guinevere Turner不就是go fish裏面那個Max嗎!..........."sometimes you have to create your own history" 也不覺得突兀 haha..

2 _gowan_ 看过 2020-06-07

最好的伪纪录片。90年代的摄影,录像带摄制的采访,老好莱坞和race film时期的影像,被剪辑在一起。跟着镜头走遍上世纪费城繁华的角落,访问生气勃勃的拉吧,租界录影带既是主角亲密的工作和生活伙伴,也是她及其同类所呼吸的空气。黑人女星身份的揭露、解构、重塑,她与白人导演的情感关系和主角与白人女友的感情构成明暗两条线。西瓜女的潜力在于更广阔的可能性,种族之间的互相理解,孕育着一种冲破世俗观念的女性情... 最好的伪纪录片。90年代的摄影,录像带摄制的采访,老好莱坞和race film时期的影像,被剪辑在一起。跟着镜头走遍上世纪费城繁华的角落,访问生气勃勃的拉吧,租界录影带既是主角亲密的工作和生活伙伴,也是她及其同类所呼吸的空气。黑人女星身份的揭露、解构、重塑,她与白人导演的情感关系和主角与白人女友的感情构成明暗两条线。西瓜女的潜力在于更广阔的可能性,种族之间的互相理解,孕育着一种冲破世俗观念的女性情欲身份,鼓励着每一个黑人女性重写种族历史的主动性。 对档案和影像的运用是典型的(伪)纪录片手端,我觉得对这种形式的偏爱很nerd哈哈哈 (展开)

0 香芋猪猪包 看过 2018-11-06

FANTASTIC. And I thought it was a mock-narrative documentary? And it’s fiction? Fooled me. That’s the question though isn’t it, fiction is unwritten/untold/marginalized history and it’s all about find... FANTASTIC. And I thought it was a mock-narrative documentary? And it’s fiction? Fooled me. That’s the question though isn’t it, fiction is unwritten/untold/marginalized history and it’s all about finding yourself in that spectral past of queer time, identities and desires - to all the Fae Richards and Mammys (展开)

0 何重人格 看过 2019-10-26

welllll i think cheryl’s credit statement, in the end, is the most brilliant reveal in the film history, 一点悲伤 一点发人深省 【第二遍看,伪纪录片的表达把同性恋和黑人的荧幕形象完全常人化,也是非常有意思的选择了】

0 Chocoretta 看过 2019-10-31

screening;identity;archive;queer/marginalised culture/history

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寻找西瓜女的影评 · · · · · · ( 全部 5 条 )

Volchino 2009-06-23 14:05:20

Chasing Fae >>Notes and Workes Cited

Notes 1. However, while the film breaks with convention in highlighting an interracial lesbian romance, its ultimate commentary on such relationships--especially between African-American and white women--is that they are unlikely to overcome the difficulti...  (展开)
Volchino 2009-06-23 14:03:44

(Re)writing History

The Watermelon Woman draws upon "pseudo-realism, borrowing heavily from the documentary format" (Turoff). The viewer's relationship to the film's presentation of "truth"--that is, whether or not the viewer is aware that "the watermelon woman" is a fictional...  (展开)
Volchino 2009-06-23 14:01:43

De/Reconstructing Images of Black Women

这篇影评可能有剧透

In Black Women as Cultural Readers, Jacqueline Bobo asserts that "Black women are . . . knowledgeable recorders of their history and experiences and have a stake in faithfully telling their own stories" (36). In her first direct address of the viewer, Chery...  (展开)
Volchino 2009-06-23 14:02:43

Avoiding Essentialism

Queer female producers of cultural texts must wrestle with the nature of lesbian subjectivity. In the wake of the complete destabilizing of subject formation that has resulted from the theoretical insights provided by a postmodern perspective, such artists ...  (展开)
Volchino 2009-06-23 13:59:19

【转】Chasing Fae: The Watermelon Woman and Black Lesbian Possibility by Laura L. Sullivan

Cheryl Dunye's 1996 film, The Watermelon Woman, is a groundbreaking, and rulebreaking, film. The first feature film made by a black lesbian filmmaker (McAlister), the film employs both deconstructive and realist techniques to examine the way that identity i...  (展开)

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