P. 255, Goddard, Michael, et al. “Beyond Polish Moral Realism: The Subversive Cinema of Andrzej Żuławski.” Polish Cinema in a Transnational Context. Ed. Ewa Mazierska and Michael Goddard. Boydell & Brewer, 2014. 236–257. Print. Rochester Studies in East and Central Europe.
As such it is as much against prevailing tendencies in Polish cinema, such as genre films and the then nascent “new cinema of moral concern,” which it both preempts and critiques, as his 1970s Polish films were challenges to the cinema of the Polish school and rejections of the Cinema of Moral Concern. In both contexts, what Żuławski rejects is the separation between aesthetics and politics, in favor of an expressive cinema the politics of which lie precisely in its refusal to turn away from horror, sex, and violence, without at the same time abandoning aesthetic expressivity and invention.
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