青春双曲线 청춘쌍곡선 (1956)

导演: 韩滢模
主演: Hwang Hae,Jee Hak-Ja,Lee Bin-Hwa,Yang Hun,Yang Seok-Cheon,Kim Hee-Gap,Bok Hye-Suk,Jee Bang-Yeol,Ko Seon-Ae,Kyeong Yoon-Su
类型: 剧情
官方网站: http://www.koreafilm.org/feature/100_11.asp
制片国家/地区: 韩国
语言: 韩语
上映日期: 1956-04-10(韩国)
片长: 100分钟
又名: Double Curve of Youth / Hyperbolae of Youth
IMDb: tt0928125

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青春双曲线的剧情简介 · · · · · ·

　　Synopsis
　　Middle-school teacher Myeong-ho (Hwang-hae), who comes from a poor family, and Bu-nam (Yang Hun), whose father is the president of a trading company, attended the same university. When both men develop gastric disordersBu-nam ate too much and Myeong-ho couldn't get enough to eatthe doctor proposes that they exchange lifestyles for two weeks. Living in each other's home... (展开全部) 　　Synopsis
　　Middle-school teacher Myeong-ho (Hwang-hae), who comes from a poor family, and Bu-nam (Yang Hun), whose father is the president of a trading company, attended the same university. When both men develop gastric disordersBu-nam ate too much and Myeong-ho couldn't get enough to eatthe doctor proposes that they exchange lifestyles for two weeks. Living in each other's homes, each young man falls in love with the other's sister, and the two couples get married in a joint wedding ceremony.
　　Notes
　　"The filmization of a stage musical, and the fusion of film and mass entertainment" (Chung Jong-wha)
　　Hyperbolae of Youth lay claim to the title of Korea's first comedy movie, with a cast comprising such comic actors as Yang Hun, Yang Seok-cheon, and Kim Hee-gap. It affords us a glimpse into the cinematic sensibility and generic interest of Han Hyung-mo, who was the most commercially successful director of his day, and falls between The Hand of Destiny (Unmyeong-ui son) and Madame Freedom (Ja-yu bu-in) in his filmography. The movie tells a simple story: a brother and sister from a wealthy family fall in love their opposite-sex counterparts from a poor family, thus mature into well-rounded individuals, and make happy marriages. In this basic synopsis, even the fundamental difference of social status does not pose much of an obstacle. In fact, the extent to which the film straightforwardly endows the improverished brother and sister with positive values makes it seem rather simplistic. However, the movie's main interest does not lie in its story or theme. Instead, it concentrates on making the most of the generic elements of comedy and musical in order to maximize its own entertainment value. This agenda becomes manifestly clear from the film's characterizations. That is, the two male leads are comically rendered as a rich man's son who is sick from eating too much and a poor man's son who is sick from not eating enough. Musical elements are also introduced as a means of reinforcing the film's entertainment value. In the first half, for instance, the film's musical director Park Si-chun, in the role of the doctor, accompanies the nurses on his guitar as they sing a pop song. This scene, which has no relation to the plot, was inserted solely for the purpose of enhancing the movie's generic appeal as a musical. The same holds true for the scene in which Kim Hee-gap appears mid-film as a man carrying a wooden rack on his back to sing a medley of popular Korean songs. Such generic elements boost the film's entertainment value while infusing the whole with a cheerful and upbeat atmosphere. Hyperbolae of Youth may well be called the finest feel-good movie of the 1950s.

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青春双曲线的短评 · · · · · · ( 全部 6 条 )

0 有用 мая 看过 2017-10-05 20:15:01

6，主流韩国喜剧，导演本意应该还是要反映韩国贫富分化和阶级问题，但导演回避了矛盾，大力宣扬阶级调和和阶级共荣，娱乐性有余而批评性不足

1 有用豆友66 看过 2020-06-11 16:24:50

94.09

1 有用妖灵妖看过 2012-02-26 11:01:47

好时髦的比基尼

0 有用 Meko 看过 2020-09-04 13:48:39

有一种孩童般的正义感，想揭穿物质与精神的富裕并不相等，穷困人民勤劳又善良，给人画出一个爱将战胜一切，不同阶级牵起手来的美好梦想。然有意或无意，阳刻留下的暗影揭露了生活中的真相：是富者家的兄妹先放下偏见，接受对方，显露出包容的一面；而对于哥哥们来说，互换生活只是尝鲜般的短暂体验与罗曼蒂克，结婚之后面对新生活与漫长适应过程的，是两位妹妹。她们要用余生去收拾哥哥浪漫冒险后留下的摊子。阳面与阴面，幻想... 有一种孩童般的正义感，想揭穿物质与精神的富裕并不相等，穷困人民勤劳又善良，给人画出一个爱将战胜一切，不同阶级牵起手来的美好梦想。然有意或无意，阳刻留下的暗影揭露了生活中的真相：是富者家的兄妹先放下偏见，接受对方，显露出包容的一面；而对于哥哥们来说，互换生活只是尝鲜般的短暂体验与罗曼蒂克，结婚之后面对新生活与漫长适应过程的，是两位妹妹。她们要用余生去收拾哥哥浪漫冒险后留下的摊子。阳面与阴面，幻想与现实，这正是电影第三层次的对称性。虽不知它是导演的刻意安排，或是前两层对称性搭建过程中的意外产物。进来做个梦吧，反正不要钱。制作人以玩童搭积木的心态打磨出这部喜剧，就算不为其中笑点所动，也进来感受一下玩童的心态吧。 (展开)