愤怒的婴儿 Bébé Colère (2020)

Name: 愤怒的婴儿 Bébé Colère
Genre: 动画, 短片
Duration: 14 min

导演: 卡罗利娜·波吉 / 约纳坦·维奈勒
编剧: 卡罗利娜·波吉 / 约纳坦·维奈勒
主演: Barbara Braccini (voice)
类型: 动画 / 短片
制片国家/地区: 法国
语言: 法语
上映日期: 2020-11(法国)
片长: 14分钟
又名: Baby Anger
IMDb: tt16045316

豆瓣评分

暂无评分

想看看过

评价:

愤怒的婴儿的剧情简介 · · · · · ·

　　A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.
　　-----
　　Contemporary movie making at its best is made by sequen... (展开全部) 　　A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.
　　-----
　　Contemporary movie making at its best is made by sequential IRL images, whose raw presence has become a pivotal element in the progressive affirmation of a saturated account of what reality means. Captured moving images have being progressively contaminated by post-production and CGI detailing making “movies” ever close to a pure engineering process.
　　The advent of CGI imaging technologies directly flooded traditional filmmaking out of blockbuster revenues provided by studios animation productions, diluting purely digitally-achieved fantasies and transforming them in a chemically induced perfection filter applied to almost everything.
　　With Fantasmagorie (1908) Èmile Cohl introduced animation as a wandering initiative, in which space browsing and encountering objects were the main task a protagonist was subject to. An innocuos stylized man that preceded, and in a way determined, pre-rendering structures of animated characters. Bébé Colère is the last investigation by Caroline Poggi and Jonathan Vinel of media structures in contemporary cinema. A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.