马奈：现代艺术创造者 Manet: The Man Who Invented Modern Art (2009)

Name: 马奈：现代艺术创造者 Manet: The Man Who Invented Modern Art
Genre: 纪录片, 传记, 历史
Cast: 瓦尔德马·雅努茨扎克 Waldemar Januszczak

导演: Waldemar Januszczak
主演: Waldemar Januszczak
类型: 纪录片 / 传记 / 历史
制片国家/地区: 英国
语言: 英语
片长: 1 HOUR, 30 MINUTES
IMDb: tt3365408

豆瓣评分

暂无评分

想看看过

评价:

马奈：现代艺术创造者的剧情简介 · · · · · ·

　　Manet is one of the main candidates for the title of the most important artist there has been. As the reluctant father of Impressionism, and the painter of Dejeuner sur l'herbe, he can probably be accused of inventing modern art. But his story is fascinating on many other levels.
　　As a piece of compelling biography, Manet's is the unlikely tale of the stubborn son of the most hi... (展开全部) 　　Manet is one of the main candidates for the title of the most important artist there has been. As the reluctant father of Impressionism, and the painter of Dejeuner sur l'herbe, he can probably be accused of inventing modern art. But his story is fascinating on many other levels.
　　As a piece of compelling biography, Manet's is the unlikely tale of the stubborn son of the most highly placed judge in France who decides to become an artist and embarrass his father. The resulting family tensions are the stuff of legend. His mother, by the way, was from a family that still supplies Sweden with its royalty.
　　Then there was Manet's dramatic private life, including exotic romantic affairs and a particularly horrible death when, riddled with syphilis and gangrene, Manet had to have his leg amputated.
　　But none of this would matter a jot were it not for the revolutionary art it provoked and coloured. Always cited as the father of the Impressionists, Manet stubbornly refused to show with them, and was careful to maintain an aesthetic distance from Monet, Renoir and the others. While they worshipped him, he looked down on them, preferring to continue his own remarkable departure from the traditional ways of art. The scandalous paintings with which he made his reputation - the outrageously sexy Olympia, the relentlessly paraphrased Dejeuner sur l'herbe - are the most totemic images in French 19th-century art. And the story of how Manet was rejected from the official salon, and ended up instigating the Salon des Refuses, can be understood as the epoch's key cultural event.
　　Using the life of Manet as his narrative arch, Waldemar Januszczak tells the story of a complex and difficult man who started a revolution that continues to rumble on today.

喜欢这部电影的人也喜欢 · · · · · ·

: 荷尔拜因:都铎宫廷画师

: 高更全传

: Rubens: An Extra Large Story

: 德加：对完美的追求

: 抹大拉的玛丽亚：艺术作品中...

: 教堂：追光之旅

: 布努艾尔谈话录 7.8

: 马蒂斯：逐光之旅 8.8

: BBC:隐藏的伊斯兰艺术

: 与瓦萨里同行

我要写短评

马奈：现代艺术创造者的短评 · · · · · · ( 全部 19 条 )

0 有用丝管看过 2017-07-02 20:31:50

全程瓦格纳，不知道是为啥

1 有用一颉看过 2021-06-07 22:40:42

看的是itv版本的现代生活的肖像。马奈自己拒绝承认他隶属于印象派，他的作品没有印象派笔下转瞬即逝的光影，边界清晰，但是却又打破了传统的透视法则，呈现出一种二维的画面。现实主义的纪实画法流露出19世纪巴黎作为美术之都的现代性，这些肖像借由画中的裸体女人或者自画像凝视着观看者，他们作为一种媒介贯穿了画里画外，画中的人物却又在精神上彼此疏离，一种寂寥的阴翳笼罩着他们的眼眸。作为波德莱尔的挚友，他很好地诠... 看的是itv版本的现代生活的肖像。马奈自己拒绝承认他隶属于印象派，他的作品没有印象派笔下转瞬即逝的光影，边界清晰，但是却又打破了传统的透视法则，呈现出一种二维的画面。现实主义的纪实画法流露出19世纪巴黎作为美术之都的现代性，这些肖像借由画中的裸体女人或者自画像凝视着观看者，他们作为一种媒介贯穿了画里画外，画中的人物却又在精神上彼此疏离，一种寂寥的阴翳笼罩着他们的眼眸。作为波德莱尔的挚友，他很好地诠释了波德莱尔笔下的闲逛者。 (展开)