皮罗斯马尼主题上的蔓藤 Арабески на тему Пиросмани (1985)

导演: 谢尔盖·帕拉杰诺夫
类型: 纪录片 / 短片
制片国家/地区: 苏联
语言: 无对白
上映日期: 1985-10-07(苏联)
片长: 25分钟
又名: Arabesques on the Pirosmani Theme
IMDb: tt0088732

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8.0

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好于 18% 短片

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皮罗斯马尼主题上的蔓藤的剧情简介 · · · · · ·

　　Arabeskebi Pirosmanis temaze (Arabesques on the Pirosmani Theme)
　　(1985), 25mins
　　A short mediation on the work of Georgian painter Niko Pirosmaniszvili (1862-1918).
　　Sergei Paradjanov was born in Tblisi, Georgia (former Soviet Union) in 1924. In 1964 he was able to direct 'Shadows of our Forgotten Ancestors'; a boldly conceived and astonishingly photographed blend of enchanting m... (展开全部) 　　Arabeskebi Pirosmanis temaze (Arabesques on the Pirosmani Theme)
　　(1985), 25mins
　　A short mediation on the work of Georgian painter Niko Pirosmaniszvili (1862-1918).
　　Sergei Paradjanov was born in Tblisi, Georgia (former Soviet Union) in 1924. In 1964 he was able to direct 'Shadows of our Forgotten Ancestors'; a boldly conceived and astonishingly photographed blend of enchanting mythology, hypnotic religious iconography, and pagan magic introducing the world to a new idiosyncratic cinema talent.
　　In 1968 he created one of many masterpieces; "Sayat Nova" which was promptly banned by Soviet authorities. It was renamed (and re-edited without his approval) and entitled "The Color of Pomegranates". For religious sympathies and lack of conformity to the strict socialist realism of the former Soviet union Paradjanov was arrested in December of 1973 and sentenced to five years imprisonment - residing in various hard-labor camps.
　　An important group of world-famous filmmakers, artists and activists (including notables such as Federico Fellini, Tonino Guerra, Francesco Rosi, Poet Louis Aragon, Mikhail Vartanov, Giulietta Masina, Marcello Mastroianni and Bernardo Bertolucci) persistently protested Paradjanov was eventually released after 4 years. His activity remained monitored and he was limited by the Soviet authorities but 15 years after "Sayat Nova" he created "The Legend of the Suram Fortress"; a folk tale and adapted from the novella by Daniel Chongadze. Once again the cinema world was peering inside viewing vividly poetic and poignant imagery.
　　In 1986 Parajanov made yet another multi-award winning film, Ashug-Karibi (1988), based on a tale by Mikhail Lermontov, and he dedicated the film to his friend Andrei Tarkovsky. His stay in prison had crushed his health, and he passed away in July of 1990 of cancer, leaving the world a rich and unforgettable blend of unique and meaningful cinema but his legendary films live on and his picture adorns a postage stamp in Armenia.

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皮罗斯马尼主题上的蔓藤的短评 · · · · · · ( 全部 147 条 )

2 有用冰山李看过 2009-05-29 22:53:23

8.2；停格胶片

3 有用胤祥看过 2010-03-27 01:44:21

1、老帕1985年的体制内作品。2、可算纪录片，也可算动画片，老帕也是难于归类的人。3、idea不新鲜，雷乃的《格尔尼卡》等等就有了，后来小索拍了一些美术主题的纪录片也都是这个路子。4、仍然没有景深，老帕就是这样。5、音轨上的处理很精到。

0 有用 La Roca 看过 2009-07-10 08:02:44

没看懂

0 有用 cowsumy 看过 2010-05-19 14:23:20

眼神。近乎宗教般虔诚。

0 有用高压电看过 2013-04-14 20:02:28

花里胡哨

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皮罗斯马尼主题上的蔓藤的影评 · · · · · · ( 全部 1 条 )

热门最新好友

丘建平 2009-08-21 13:31:59

俄语介绍

直接看很恍惚啊看了导演生平稍微有点感觉|总之此人一直被苏共压迫= = 找来了电影的俄语介绍想办法翻出来就好了 Это вахтер открывает о Пиросмани Тема.Не удивительно. Параджанов сделал этот кор... (展开)

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