片头的音乐是?
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某种达到您电脑的方式(彭国立)
片中女主演Anne Wiazemsky自此走红(切腹黑猫)
(资料)影片后对布列松的采访整理([已注销])
人類社會可以去死了(dog year)
驴语(臣不密失身)
音乐配的真好(chopinter)
贪财的磨坊主人 皮埃尔.克罗索斯基(鱼化石甜品店)
请尊重创作者的劳动,不要在讨论区里提供或讨论下载方面的内容。
某种达到您电脑的方式(彭国立)
片中女主演Anne Wiazemsky自此走红(切腹黑猫)
(资料)影片后对布列松的采访整理([已注销])
人類社會可以去死了(dog year)
驴语(臣不密失身)
音乐配的真好(chopinter)
贪财的磨坊主人 皮埃尔.克罗索斯基(鱼化石甜品店)
2007-10-29 20:31:07 鱼化石甜品店
驴子死的那一段是 Schubert Piano Sonata no. 20their deaths accompanied by music of great sublimity: a fragment of Schubert抯 Piano Sonata no. 20 and a passage from Monteverdi抯 Vespers, respectively. (That these contravene Bresson抯 own edict against the use of music as 揳ccompaniment, support, or reinforcement?is significant; he later regretted the rather sentimental employment of the Schubert in Balthazar, and the film without it would be significantly bleaker in effect.) The representation of both deaths is ambiguous. The sacred music in Mouchette (Monteverdi抯 揗agnificat,?with its intimations of the Annunciation), Mouchette抯 three attempts to 揻all?before succeeding, and the held image of the bubbles on the water that has received her body imply to many a divine, even ecstatic deliverance (and a perhaps heretical consecration of suicide). Similarly, Balthazar抯 death, accompanied by the secular, albeit exalted, Schubert, as he is surrounded by sheep, suggests to several critics a glorious return to the eternal, a revelation of the divine.
2007-10-29 20:33:30 鱼化石甜品店
整个都应该是 Piano Sonata No.20http://www.imdb.com/
2007-12-21 23:42:15 大嘴鸟
对,我也找到了,多谢楼上的朋友,里面的音乐都来自舒伯特的D959> 我来回应