音乐
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2007-12-09 00:18:47
来自: 鱼化石甜品店
(北京)
开始的音乐 1 00:01:03,563 --> 00:01:05,656 [Ticking] 2 00:01:05,732 --> 00:01:07,666 <i>[Woman Laughing]</i> 3 00:01:33,359 --> 00:01:35,793 [Jazz From Car Stereo]爵士 4 00:01:47,340 --> 00:01:49,274 <i>[Whistle Blowing]</i> 5 00:01:49,342 --> 00:01:51,776 [People Chattering, Laughing] 6 00:02:08,495 --> 00:02:10,429 [Whistle Blowing] 7 00:02:44,731 --> 00:02:46,722 [Bleating] 8 00:03:19,532 --> 00:03:24,663 - Uh, you folks American citizens? - I am, yes. 9 00:03:24,737 --> 00:03:27,228 - Where were you born, miss? - Missus. 10 00:03:27,307 --> 00:03:29,241 - What? - Philadelphia. 11 00:03:29,309 --> 00:03:33,473 - The name is Vargas. - Hey, Jim! See who's here? 12 00:03:33,546 --> 00:03:36,811 Sure. Mr. Vargas. Hot on the trail of another dope ring? 13 00:03:36,883 --> 00:03:39,784 Hot on the trail of a chocolate soda for my wife. 14 00:03:39,852 --> 00:03:41,820 - Wife? - Barely a bride, officer. 15 00:03:41,888 --> 00:03:44,618 - [Chuckling] - Hey, can I get through? 16 00:03:44,691 --> 00:03:47,125 Lotta talk up here about how you cracked that Grandi business. 17 00:03:47,193 --> 00:03:49,127 - What? - Yeah, we hear you caught the big boss. 18 00:03:49,195 --> 00:03:52,460 Only one of'em. The Grandis are a big family. Good night. 19 00:03:52,532 --> 00:03:54,693 Good night. No purchases, Mr. Linnekar. 20 00:03:54,767 --> 00:03:57,361 - Hey. Hey, I got this... - Are you an American citizen, miss? 21 00:03:57,437 --> 00:04:00,065 - You know, I've got this ticking noise... - Yeah, okay. 22 00:04:00,139 --> 00:04:02,573 - No, really. This ticking noise in my head... - Good night. 23 00:04:07,680 --> 00:04:11,707 Mike, do you realize, this is the very first time we've been together in my country? 24 00:04:11,784 --> 00:04:15,720 Do you realize, I haven't kissed you in over an hour? 25 00:04:15,788 --> 00:04:18,621 <i>[Explosion]</i> 26 00:04:21,761 --> 00:04:24,286 [People Chattering] 27 00:04:24,364 --> 00:04:27,162 - <i>靠 Que paso? </i> - <i>No se. Un car exploto. </i> 28 00:04:27,233 --> 00:04:31,033 - Mike, what happened? - That car that just passed us exploded. 29 00:04:31,104 --> 00:04:33,038 The car? How could it do that? 30 00:04:33,106 --> 00:04:35,233 I don't know. I'll have to try to find out. 31 00:04:35,308 --> 00:04:37,833 - You'd better not come any closer. There's... - Oh. 32 00:04:37,910 --> 00:04:40,845 We'll have to postpone that soda, I'm afraid. 33 00:04:40,913 --> 00:04:43,848 <i>[Sirens Wailing]</i> 34 00:04:45,785 --> 00:04:49,050 - Mike, couldn't l... - Susie, please, be careful. 35 00:04:53,559 --> 00:04:56,494 - This could be very bad for us. - For us? 36 00:04:56,562 --> 00:05:00,555 For Mexico, I mean. Anyway, there's nothing I can do over here. ====== I assume that the music now backing the opening sequence of the picture is temporary... As the camera roves through the streets of the Mexican bordertown, the plan was to feature a succession of different and contrasting Latin American musical numbers - the effect, that is, of our passing one cabaret orchestra after another. In honky-tonk districts on the border, loudspeakers are over the entrance of every joint, large or small, each blasting out it's own tune by way of a "come-on" or "pitch" for the tourists. The fact that the streets are invariably loud with this music was planned as a basic device throughout the entire picture. The special use of contrasting "mambo-type" rhythm numbers with rock 'n' roll will be developed in some detail at the end of this memo, when I'll take up details of the "beat" and also specifics of musical color and instrumentation on a scene-by-scene and transition-by-transition basis. ====== |
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音乐很赞！> 我来回应