看过   · · ·  ( 125部 )

  • 地狱
  • 死亡笔记
  • 赌博默示录2
  • 死亡笔记:最后的名字
  • 癔症
  • 鲁冰花
  • 妈妈再爱我一次
  • 欲望大街
  • 寂静之光
  • 苏珊娜

想看   · · ·  ( 107部 )

  • 日本昆虫记
  • 键
  • 現代猟奇性犯罪
  • 桃色電話 (ピンクでんわ)
  • 二等兵物語 女と兵隊・蚤と兵隊
  • 东海道四谷怪谈
  • 老左正传:足立正生起革命
  • 世界第一群交会
  • 大学路雏妓之杀人机器
  • 切肤之爱

亲切的韩笑的影评   · · ·  ( 6篇 )

El lugar sin límites

The representation of family in El lugar sin limes

Another Mexican melodrama El lugar sin limes also develops the themes of family, sexuality, especially in the problem of homosexuality. The masculinity or patriarchal value and the woman’s position have analysed in the films tautologically. Similarly, these problems already exist in the Mexican ...(0回应)

All That Heaven Allows

The representation of family in All that Heaven Allows

The year 1950 is a golden age of Hollywood melodrama. The melodrama of the 1950s has a strong subversive ideology to counteract mainstream. These films possess highly sensitive of the class, gender, race and ingenious metaphor skills. The film All that Heaven Allows was born in that era which is ...(0回应)

The Man Who Knew Too Much

The change of the gender consciousness

Two versions of The Man Who knew Too Much are apart for nearly two decades. . Robert J. Corber notes that Hitchcock developed more features of a female/mother. The gender consciousness gradually revealed in Hitchcock film. Therefore, it can be initiate gender psychoanalysis from the film. Hitchco...(0回应)

Stellet licht

A conversation between Johan and his father

J:Dad, But now I have to know who is the woman I must love. Help me if you can. D:I can only tell you what I went through and I' ve never told anyone. After you birth, I felt an unknown attraction to another woman. I was already to leave my family. But before doing that, I forced myself t...(0回应)